Aesthetics, as both a variety of practices and a field of research, has now begun a journey toward society and more applied thinking – that is, how can art, art thinking, and different forms of sensuousness interact with or interfere in societal contexts. In this special issue of InFormation we explore the frame of a possible contemporary art didactics, where knowledge production and dispersion in and through art and aesthetics are promoted. Here the qualities of responding to societal needs and challenges are negotiated with the particular qualities of art. The field of didactics is often tied to specific teaching methods, but can also be seen as a more general theory of learning. With the term ‘contemporary art didactics’, we want to prop...
This paper advances a philosophically informed rationale for the broader, reflexive and practical ap...
The authors discuss contemporary visual art, its creation processes and their implementation in art ...
This paper aims to join two quite separate research perspectives and methodologies, factually origin...
Aesthetics, as both a variety of practices and a field of research, has now begun a journey toward s...
Aesthetics, as both a variety of practices and a field of research, has now begun a journey toward s...
This study discusses and interprets contemporary art that has become a challenge to art education. B...
This paper offers a critical perspective having been lecturing in art across the various levels in a...
The paper reviews and attempts to define artistic practices implemented in the areas of science, tec...
The present text tackles the old problem of artistic autonomy given the constitutive heteronomy of p...
Everyday aesthetics aims to illuminate the rich aesthetic dimensions of our lives that have been neg...
Aesthetics as a discipline studies the nature, content, value and origin of art. The term ‘aesthetic...
We are interested in contrasts between ‘art for art’s sake’ and instrumental justifications for art ...
This paper was presented at CLTAD 5th International Conference in Berlin, during the year of 2010. I...
Carl Andre’s opposition between an activating art and a pacifying culture becomes the impetus for wi...
The reflections and questions discussed in the paper emerged from a teaching artist experience in co...
This paper advances a philosophically informed rationale for the broader, reflexive and practical ap...
The authors discuss contemporary visual art, its creation processes and their implementation in art ...
This paper aims to join two quite separate research perspectives and methodologies, factually origin...
Aesthetics, as both a variety of practices and a field of research, has now begun a journey toward s...
Aesthetics, as both a variety of practices and a field of research, has now begun a journey toward s...
This study discusses and interprets contemporary art that has become a challenge to art education. B...
This paper offers a critical perspective having been lecturing in art across the various levels in a...
The paper reviews and attempts to define artistic practices implemented in the areas of science, tec...
The present text tackles the old problem of artistic autonomy given the constitutive heteronomy of p...
Everyday aesthetics aims to illuminate the rich aesthetic dimensions of our lives that have been neg...
Aesthetics as a discipline studies the nature, content, value and origin of art. The term ‘aesthetic...
We are interested in contrasts between ‘art for art’s sake’ and instrumental justifications for art ...
This paper was presented at CLTAD 5th International Conference in Berlin, during the year of 2010. I...
Carl Andre’s opposition between an activating art and a pacifying culture becomes the impetus for wi...
The reflections and questions discussed in the paper emerged from a teaching artist experience in co...
This paper advances a philosophically informed rationale for the broader, reflexive and practical ap...
The authors discuss contemporary visual art, its creation processes and their implementation in art ...
This paper aims to join two quite separate research perspectives and methodologies, factually origin...