This essay expounds the intrinsic relationship between music and myth, first given explicit license in Nietzsche’s ›The Birth of Tragedy‹, and explores how it occurs in Joyce’s ›Ulysses‹ and Mann’s ›Doctor Faustus‹. It juxtaposes Nietzsche’s “Apollo/Dionysus dichotomy” and his conception of “Dionysian music” with Joyce and Mann’s literary depictions of music and myth, thereby elucidating the major themes, characters and narrative of both novels and shedding light on the music-myth configuration
This thesis challenges the traditional, Cartesian understanding of musical performance through a ph...
Part of Laws’s Beckett-related research is concerned with the significance of music in his work. Thi...
MIt i & only as an aesthetic phenomenon that ex~stence and the world a ~ eternally justified. u ...
This essay expounds the intrinsic relationship between music and myth, first given explicit license ...
This work, written in four movements, focuses on representations of music and myth, and the relation...
This study looks at what happens when readers try to make sense of High Modernist narratives contain...
In my thesis I will examine James Joyce’s Ulysses (1922) in the light of Friedrich Nietzche’s The B...
This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addi...
In his Birth of Tragedy Friedrich Nietzsche famously developed a “dionysiac” theory of the tragic ch...
This essay examines Mary Shelley\u2019s awareness of the intersection of music and the literary imag...
In this essay I look at The Birth of Tragedy in order to explore two related issues. First, beginnin...
The aim of this paper is to consider if and how music can satisfy the demands of Nietzsche’s concept...
Toward the end of The Birth of Tragedy Nietzsche sketches the possibility of a rebirth of tragedy an...
The primary object of this dissertation is to demonstrate the nature and extent of Wagner’s intellec...
Le présent travail de recherche développe l’hypothèse selon laquelle la réflexion de Nietzsche sur l...
This thesis challenges the traditional, Cartesian understanding of musical performance through a ph...
Part of Laws’s Beckett-related research is concerned with the significance of music in his work. Thi...
MIt i & only as an aesthetic phenomenon that ex~stence and the world a ~ eternally justified. u ...
This essay expounds the intrinsic relationship between music and myth, first given explicit license ...
This work, written in four movements, focuses on representations of music and myth, and the relation...
This study looks at what happens when readers try to make sense of High Modernist narratives contain...
In my thesis I will examine James Joyce’s Ulysses (1922) in the light of Friedrich Nietzche’s The B...
This essay foregrounds “covers” of popular recorded songs as well as male and female desire, in addi...
In his Birth of Tragedy Friedrich Nietzsche famously developed a “dionysiac” theory of the tragic ch...
This essay examines Mary Shelley\u2019s awareness of the intersection of music and the literary imag...
In this essay I look at The Birth of Tragedy in order to explore two related issues. First, beginnin...
The aim of this paper is to consider if and how music can satisfy the demands of Nietzsche’s concept...
Toward the end of The Birth of Tragedy Nietzsche sketches the possibility of a rebirth of tragedy an...
The primary object of this dissertation is to demonstrate the nature and extent of Wagner’s intellec...
Le présent travail de recherche développe l’hypothèse selon laquelle la réflexion de Nietzsche sur l...
This thesis challenges the traditional, Cartesian understanding of musical performance through a ph...
Part of Laws’s Beckett-related research is concerned with the significance of music in his work. Thi...
MIt i & only as an aesthetic phenomenon that ex~stence and the world a ~ eternally justified. u ...