This interim project report addresses the ongoing work of Dunham’s Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry. The project centres choreographer Katherine Dunham’s transnational circulation, and takes a critical mixed methods approach informed by feminist and anti-racist discussions in the digital humanities in order to explore the questions and problems that make data analysis and visualization meaningful for dance history. Dunham’s Data sits on robust datasets that we have manually curated from currently undigitized sources— an iterative and evaluative process that approaches these archives and the histories that they contain from a granular perspective. This update contextualizes our particular conjunction of...
Katherine Dunham (1909-2006) was one of the most critically and commercially successful dancers of t...
In this essay, we draw upon research undertaken at Tate’s library and archive with artists’ publicat...
Katherine Dunham’s The Negro Dance (1941) focuses on dances in the West Indies and on their similari...
Between 1947-60, choreographer Katherine Dunham spent over 5000 days in hundreds of cities on six co...
Between 1947-60, choreographer Katherine Dunham spent over 5000 days in hundreds of cities on six co...
This article represents the first stage of a larger research project that considers the kinds of que...
The interdisciplinary field of Dance Studies as a separate arena focusing on the social, political, ...
This dissertation analyzes the intellectual and political contributions of choreographer Katherine D...
David DeBlieck, Visiting Assistant Professor, Theater Katherine Dunham was an internationally-recog...
A better understanding of the transnational networks of dance touring is critical to placing dance w...
How dance history should be conserved, like any other human event is problematical. This article ref...
This paper foregrounds imagination to consider how African Diasporic conditions converge with choreo...
This study focuses on the African American dance pedagogy designed by Katherine Dunham and how this ...
Over the past few decades, archival practices in dance have been the subject of substantial scrutiny...
Ballet is an ephemeral and experiential performing art whose choreographed works change constantly t...
Katherine Dunham (1909-2006) was one of the most critically and commercially successful dancers of t...
In this essay, we draw upon research undertaken at Tate’s library and archive with artists’ publicat...
Katherine Dunham’s The Negro Dance (1941) focuses on dances in the West Indies and on their similari...
Between 1947-60, choreographer Katherine Dunham spent over 5000 days in hundreds of cities on six co...
Between 1947-60, choreographer Katherine Dunham spent over 5000 days in hundreds of cities on six co...
This article represents the first stage of a larger research project that considers the kinds of que...
The interdisciplinary field of Dance Studies as a separate arena focusing on the social, political, ...
This dissertation analyzes the intellectual and political contributions of choreographer Katherine D...
David DeBlieck, Visiting Assistant Professor, Theater Katherine Dunham was an internationally-recog...
A better understanding of the transnational networks of dance touring is critical to placing dance w...
How dance history should be conserved, like any other human event is problematical. This article ref...
This paper foregrounds imagination to consider how African Diasporic conditions converge with choreo...
This study focuses on the African American dance pedagogy designed by Katherine Dunham and how this ...
Over the past few decades, archival practices in dance have been the subject of substantial scrutiny...
Ballet is an ephemeral and experiential performing art whose choreographed works change constantly t...
Katherine Dunham (1909-2006) was one of the most critically and commercially successful dancers of t...
In this essay, we draw upon research undertaken at Tate’s library and archive with artists’ publicat...
Katherine Dunham’s The Negro Dance (1941) focuses on dances in the West Indies and on their similari...