This project explores the subjective experiences of five self-identified devoted “fams” of superstar icon, Prince, who died in 2016. This study aims to understand their experiences of fandom, what it means to them to be fams, and how these experiences and meanings have been impacted by Prince’s death. The participants in this study fell in love with Prince’s persona, music, and artistic productions, and they internalized him as a good object, using him in adaptive and imaginative ways. He was uncategorizable and mysterious, an excellent receiver for projections of the participants’ fantasies. Through his music, Prince fostered internal respite and uncanny connection. By creating the soundtrack of their lives, he facilitated continuity and a...
Recording of presentation given at Vital Signs 2 Conference, 7-9 September 2010, University of Manch...
An anthology of Creative Writing responses to the legacy of the musician, Prince
In the 20 years that I have practiced critical pedagogy in college instruction, some of my most exci...
Prince's position in popular culture has undergone only limited academic scrutiny. This book provide...
A consideration of the musical legacy of Prince following his death on the 21st April 2016
What were Prince\u27s politics? What did he believe about God? And did he really forsake the subject...
Musicians who die young often become more famous after their death and moreover, this popularity som...
Prince is an artist who integrates elements from the sacred into his work. He uses popular iconograp...
This thesis will critically evaluate the most abiding theories of female subjective development, in ...
Prince is an artist who uses popular iconography to present himself as an icon of consumer culture, ...
© 2018 Dr. Emma Catherine BalazsThis practice-based research explores an alternative model for an ar...
The current study explores the bereavement and coping of fans following the death of a personally si...
In Prince’s incomplete and posthumous memoir, The Beautiful Ones, The Ohio Players is referenced fou...
Prince Rogers Nelson (1958-2016) was best known for his joyful funk music and electrifying stage per...
It’s unnecessary to run the other direction every time something bearing the marks of a fallen cultu...
Recording of presentation given at Vital Signs 2 Conference, 7-9 September 2010, University of Manch...
An anthology of Creative Writing responses to the legacy of the musician, Prince
In the 20 years that I have practiced critical pedagogy in college instruction, some of my most exci...
Prince's position in popular culture has undergone only limited academic scrutiny. This book provide...
A consideration of the musical legacy of Prince following his death on the 21st April 2016
What were Prince\u27s politics? What did he believe about God? And did he really forsake the subject...
Musicians who die young often become more famous after their death and moreover, this popularity som...
Prince is an artist who integrates elements from the sacred into his work. He uses popular iconograp...
This thesis will critically evaluate the most abiding theories of female subjective development, in ...
Prince is an artist who uses popular iconography to present himself as an icon of consumer culture, ...
© 2018 Dr. Emma Catherine BalazsThis practice-based research explores an alternative model for an ar...
The current study explores the bereavement and coping of fans following the death of a personally si...
In Prince’s incomplete and posthumous memoir, The Beautiful Ones, The Ohio Players is referenced fou...
Prince Rogers Nelson (1958-2016) was best known for his joyful funk music and electrifying stage per...
It’s unnecessary to run the other direction every time something bearing the marks of a fallen cultu...
Recording of presentation given at Vital Signs 2 Conference, 7-9 September 2010, University of Manch...
An anthology of Creative Writing responses to the legacy of the musician, Prince
In the 20 years that I have practiced critical pedagogy in college instruction, some of my most exci...