CREATIVITY OF VIVIENNE WESTWOOD AS AN INSPIRATION FOR MODELING WOMEN'S CLOTHING

Tema ovog završnog rada je modeliranje ţenske odjeće inspirirane modnim stvaralaštvom dizajnerice Vivienne Westwood. Rad se bazira na istraţivanju i opisu ţivota i stvaralaštva britanske modne ikone Vivienne Westwood, koja je spojila modu i punk kulturu. Cilj rada je osmisliti i dizajnirati vlastitu mini kolekciju haljina od kojih će se tri modela modelirati, a jedan od tih modela realizirati, odnosno izraditi. Rad zapoĉinje s opisom ţivota Vivienne Westwood, potom njenog kreiranja za Punk scenu sa tadašnjim partnerom, pa sve do njenih samostalnih modnih revija, prelaskom iz uliĉne mode na visoku modu te primljenih titula. Zbog svog je doprinosa kao dizajnerica i aktivistica ovjenĉana i titulom Dame, najvišom titulom koju moţe dobiti ţena koja nije dio britanske kraljevske obitelji. U eksperimentalnom dijelu rada prikazana je mini autorska kolekcija ţenskih haljina dizajniranih na temelju prikupljenih informacija i opisa, gdje je glavna inspiracija Westwoodova proljetna kolekcija iz 2010. godine. Rad obuhvaća likovni prikaz modela iz autorske kolekcije, svaki model sadrţi opis, zatim slijedi konstrukcijski dio gdje se opisuje izrada kroja i na kraju modeliranje krojeva za tri odabrana modela. U rezultatima rada su prikazani krojni dijelovi pripremljeni za krojenje. TakoĊer je prikazan i jedan izraĊeni model.The theme of this final work is the modeling of women's clothing inspired by the fashion creativity of designer Vivienne Westwood. The thesis is based on exploration of life and creativity of British fashion icon Vivienne Westwood , who connect fashion and punk culture. The purpose of thesis is to design my own mini collection of dresses, which three models will be modeled, and one of these models will be made. The work begins with a description of Vivienne Westwood's life, then her creations for the Punk scene with her that time partner, all the way to her independent fashion shows, the transition from street fashion to high fashion and the titles she received. Because of her contribution as a designer and activist, she was also crowned Lady, the highest title a woman who is not part of the British royal family can receive. In the experimental part, the work presents a mini author's collection of women's dresses designed based on research and information gathered, with the main inspiration is being Westwood's 2010 spring collection. The work includes a drawing presentation of the models from the author's collection, each model contains a description, followed by a construction part which is also described and finally the modeling of the three selected models. The results of the work show the cutting parts prepared for tailoring. One produced model is also showed