Upotreba scenskog elementa u djelima za udaraljke

Ovaj se rad bavi prouĉavanjem fenomena korištenja scenskoga u glazbi; spajanja teatralnog i glazbenog, s posebnim naglaskom na udaraljke. Primarna mu je zadaća opisati kompleksnost zahtjeva koji se oĉekuju od modernog udaraljkaša, a to postiţe kroz kratak opis djela vezanih uz ovaj ţanr, koja ujedno predstavljaju kratki presjek povijesti instrumentalnog, odnosno udaraljkaškog teatra. Osim toga, pruţa definicije i autorova razmišljanja na temu, kao i razmišljanja nekih hrvatskih skladatelja i izvoĊaĉa.This paper deals with the phenomenon related to the use of theatrical elements in music; the fusion of the theatrical and musical, with special emphasis on percussion. Its primary task is to describe the complexity of demands placed on the modern percussionist. It is accomplished through the short description of works written in the genre. This could be seen as an overview of the instrumental/percussion theater history. Furthermore, it provides definitions and author's reflections on the topic, as well as some thoughts by Croatian composers and performers