Usporedba socijalnog i socijalističkog realizma

Umjetnost i društvo, a time i estetika i ideologija, oduvijek su bili usko vezani jedno uz drugo kao i njihov napredak koji se moţe povijesno pratiti. Socijalni se realizam u svojim raznim formama u više navrata pojavljivao kroz povijest (najviše u 19. i 20. stoljeću). Kao umjetnički pravac, odnosno način izraţavanja, dao je snaţnu kritiku društvenim poredcima. Uz to njegova je vaţna uloga bila omogućiti civilima da postanu svjesni i da odlučuju o svojoj sudbini. S druge strane, socijalistički je realizam, unatoč bliskosti u motivima i izrazu, radikalno različit pravac koji je sluţio komunističkom drţavnom ureĎenju da osnaţi svoju vlast i prikrije stvarnu sliku i nezadovoljstvo proletera. Prijelaz iz revolucije u dogmu marksističkih ideja pratio je i umjetnost koja je prešla iz socijalnog realizma koji oslobaĎa duh u socijalistički koji ga ograničava i ne dopušta mu da se razvija. Cenzura je ključna za autoritarne reţime jer tako ne dozvoljavaju prirodnu promjenu u ljudskoj svijesti i pobunu protiv reţima. Umjetnički krikovi društvu omogućuju egzistiranje u dvije dimenzije: u nepravednom svijetu i u mašti u kojoj stvara svijet kakav bi trebao biti. Taj krik moţe biti klica napretka, a moţe biti i ugušen cenzurom, najčešće ovisi o potpori naroda, odnosno civilnog društva i o političkom sustavu koji moţe i ne mora pruţiti plodno tlo društvenoj promjeni.Art and society, and thus aesthetics and ideology, have always been closely linked to each other as well as their progress that can be traced historically. Social realism in its various forms has appeared on several occasions throughout history (mostly in the 19th and 20th centuries). As an artistic direction, that is, a way of expression, he gave a strong critique of social orders. In addition, its important role was to enable civilians to become aware and to decide their own destiny. On the other hand, socialist realism, despite its closeness in motives and expression, is a radically different direction that served the communist state system to strengthen its power and conceal the real image and dissatisfaction of the proletariat. The transition from revolution to the dogma of Marxist ideas was also accompanied by art that moved from social realism that liberates the spirit to socialist that limits it and does not allow it to develop. Censorship is crucial for authoritarian regimes because they do not allow for natural change in human consciousness and rebellion against regimes. Artistic screams allow society to exist in two dimensions: in an unjust world and in the imagination in which it creates the world as it should be. This scream can be a germ of progress, and it can be stifled by censorship, most often it depends on the support of the people, ie civil society, and on a political system that may or may not provide fertile ground for social change