Conservation and Restoration Two Ukiyo-e Woodblock Prints

U ovom završnom radu promatra se povijesno umjetnička pozadina japanskih ukiyo-e drvoreza u sklopu provedenog konzervatorsko-restauratorskog postupka na dva drvoreza u privatnom vlasništvu. Prvi dio vezan je za povijest umjetnosti slikarstva u vrijeme Edo perioda, ikonografiju te škole slikanja koje su djelovale u vrijeme zlatnog doba ukiyo-e drvoreza te doprinijele njegovom razvoju i popularnosti. Središnji dio rada obrađuje proces izrade, tehnike, alate i pigmente koji su korišteni u tiskanju, nadalje su obrađene tradicionalne teme grafika, biografije dva majstora čiji su drvorezi na restauraciji te uzroci oštećenja. Posljednji dio rada posvećen je provedenim konzervatorsko-restauratorskim postupcima na dva drvoreza i njihovoj dokumentaciji.This thesis is talks about art history of Japanese ukyio-e woodblock prints including the conservation-restoration that was done on two woodblock prints from a private collection. The first part has information about the history of painting during Edo period, iconography and the schools that were active during the golden age of woodblock prints that contributed to their popularity. The central part of the paper is about the process of printing woodblock prints and techniques, pigments and tools that were used in its production. Also, there is a part about traditional themes; bibliography of two authors of the prints submitted for restoration and causes of damage. The last part of the paper includes the restoration that was done on the two submitted woodblock prints