Abstract: A Continued Theatre of the Oppressed There have been calls within the Theatre of the Oppressed community for a development of a poetics of the oppressor, a form of Theatre of the Oppressor; as an extension and reimagining of Theatre of the Oppressed (Chinyowa 2014, Harrison &Weinblatt 2011) Such calls centre on three main points: a less binary framing of oppressor-oppressed, developing allyship from the oppressor who is in a resourced position to make material structural changes, and finally as a call towards an increased dialogue through inclusion. Theatre of the Oppressed has a close relationship with social change, struggle[1] and liberation; a theatre of the oppressor thus brings with it questions about the oppressor’s role wi...
none1noThe intellectual path of Augusto Boal ran parallel with his own life. “A path made by walking...
Augusto Boal developed Theatre of the Oppressed as a way of using the symbolic language of the drama...
This article analyses the implications of the adoption of Theatre of the Oppressed as practice art-b...
Abstract: A Continued Theatre of the Oppressed There have been calls within the Theatre of the Oppre...
This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppr...
This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppr...
Theatre of the oppressed (TO) emerged out of a rights-repressive context to challenge the way cultur...
Augusto Boal (1931–2009) was a Brazilian director, playwright and theorist who created Theatre of th...
Augusto Boal in Theatre of the Oppressed (TO) proposes that knowledge acquired aesthetically is alre...
Image work is a central and integral modality of Theatre of the Oppressed. This article examines lib...
Poetics and Politics. AugustoBoal and the Theatre of the Oppressed deals with the ideas and methods ...
After Augusto Boal passed away in 2009, a significant dispute developed within the Theatre of the Op...
A reflective essay on how I came to find Augusto Boal's Theatre of the Oppressed and how it transfor...
This dissertation analyzes the contributions of Augusto Boal to the theory and practice of contempor...
A reflective essay to document the use of Theater of the Oppressed (TO) for labor organizing with a ...
none1noThe intellectual path of Augusto Boal ran parallel with his own life. “A path made by walking...
Augusto Boal developed Theatre of the Oppressed as a way of using the symbolic language of the drama...
This article analyses the implications of the adoption of Theatre of the Oppressed as practice art-b...
Abstract: A Continued Theatre of the Oppressed There have been calls within the Theatre of the Oppre...
This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppr...
This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppr...
Theatre of the oppressed (TO) emerged out of a rights-repressive context to challenge the way cultur...
Augusto Boal (1931–2009) was a Brazilian director, playwright and theorist who created Theatre of th...
Augusto Boal in Theatre of the Oppressed (TO) proposes that knowledge acquired aesthetically is alre...
Image work is a central and integral modality of Theatre of the Oppressed. This article examines lib...
Poetics and Politics. AugustoBoal and the Theatre of the Oppressed deals with the ideas and methods ...
After Augusto Boal passed away in 2009, a significant dispute developed within the Theatre of the Op...
A reflective essay on how I came to find Augusto Boal's Theatre of the Oppressed and how it transfor...
This dissertation analyzes the contributions of Augusto Boal to the theory and practice of contempor...
A reflective essay to document the use of Theater of the Oppressed (TO) for labor organizing with a ...
none1noThe intellectual path of Augusto Boal ran parallel with his own life. “A path made by walking...
Augusto Boal developed Theatre of the Oppressed as a way of using the symbolic language of the drama...
This article analyses the implications of the adoption of Theatre of the Oppressed as practice art-b...