This study examines Tirso de Molina’s creation of cross-dressed women in three comedies – La villana de la Sagra, La mujer por fuerza and La huerta de Juan Fernández – in order to explore the extent to which the dramatist uses the type to broach questions of sexual ambiguity. The argument, pace some recent scholarship inspired by feminist and psychoanalytic theory, is that Tirso (along with some of his fellow dramatists) used different forms of role-play, including cross-dressing, to undermine comically some of the social and behavioural norms of the period but did not prioritize an exploration of sexual ambiguity amongst these
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renais...
The purpose of this study is to investigate the image of woman as presented on the stage during the ...
This study examines Tirso de Molina’s creation of cross-dressed women in three comedies – La villana...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted ...
This study analyses gender in three of Tirso de Molina’s comedias urbanas and their subsequent perfo...
If we rethink our traditional readings of the comedia as a conformist genre, we discover that gender...
When Henry Sullivan opened the question of the insight that the writings of Jacques Lacan could brin...
Tras un breve repaso del travestismo como fenómeno social durante el Siglo de Oro, se estudia su pre...
Male sexual heterodoxy, presented as effeminacy, transvestism or homosexuality, is used quite often ...
All rights remain with the author.As an example of how newly reformulated, gender-inclusive Comedia ...
Until recently, textual scholarship in the Spanish comedia has lagged behind that of other disciplin...
Este artículo analiza diferentes funciones de los personajes femeninos en las tres comedias que conf...
Cross-dressing and queer identities constitute themes that are ignored and neglected by the literary...
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renais...
The purpose of this study is to investigate the image of woman as presented on the stage during the ...
This study examines Tirso de Molina’s creation of cross-dressed women in three comedies – La villana...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted...
This essay investigates how the introduction of women onto the early modern Spanish stage disrupted ...
This study analyses gender in three of Tirso de Molina’s comedias urbanas and their subsequent perfo...
If we rethink our traditional readings of the comedia as a conformist genre, we discover that gender...
When Henry Sullivan opened the question of the insight that the writings of Jacques Lacan could brin...
Tras un breve repaso del travestismo como fenómeno social durante el Siglo de Oro, se estudia su pre...
Male sexual heterodoxy, presented as effeminacy, transvestism or homosexuality, is used quite often ...
All rights remain with the author.As an example of how newly reformulated, gender-inclusive Comedia ...
Until recently, textual scholarship in the Spanish comedia has lagged behind that of other disciplin...
Este artículo analiza diferentes funciones de los personajes femeninos en las tres comedias que conf...
Cross-dressing and queer identities constitute themes that are ignored and neglected by the literary...
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renais...
The purpose of this study is to investigate the image of woman as presented on the stage during the ...