Add to ORKGReview of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New York’s Leslie-Lohman Museum of Art, which was on view from September 2019 to January 2020, and other contemporary AIDS culture
Through a theoretical and archival analysis of HIV/AIDS literature, this dissertation argues that th...
Artists have lent their voices to many activist initiatives, and the AIDS crisis of the 1980s and 19...
Although scholars increasingly scrutinize late twentieth-century American art produced in relation t...
Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New Yo...
How are returns to AIDS cultural production whitewashed, and how can we return, attending with care ...
This paper provides a historical account and analysis of Visual AIDS’ first Day Without Art in 1989,...
AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical...
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer T...
Protest art is all around us. Whether we realize it or not, we are influenced by the political, soci...
In Furious Acts, I explore the different ways in which art and artistic production were used in AI...
This study examines the social and political aspects of the AIDS epidemic through the lens of local ...
“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stig...
Drawing on personal interviews with the artists, this thesis looks at two formally similar artworks ...
This study examines the representation of the AIDS crisis and People with AIDS (PWAs) in comics prod...
Since its official discovery in 1981, the story of HIV/AIDS has been a story of inequality. Not only...
Through a theoretical and archival analysis of HIV/AIDS literature, this dissertation argues that th...
Artists have lent their voices to many activist initiatives, and the AIDS crisis of the 1980s and 19...
Although scholars increasingly scrutinize late twentieth-century American art produced in relation t...
Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New Yo...
How are returns to AIDS cultural production whitewashed, and how can we return, attending with care ...
This paper provides a historical account and analysis of Visual AIDS’ first Day Without Art in 1989,...
AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical...
This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer T...
Protest art is all around us. Whether we realize it or not, we are influenced by the political, soci...
In Furious Acts, I explore the different ways in which art and artistic production were used in AI...
This study examines the social and political aspects of the AIDS epidemic through the lens of local ...
“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stig...
Drawing on personal interviews with the artists, this thesis looks at two formally similar artworks ...
This study examines the representation of the AIDS crisis and People with AIDS (PWAs) in comics prod...
Since its official discovery in 1981, the story of HIV/AIDS has been a story of inequality. Not only...
Through a theoretical and archival analysis of HIV/AIDS literature, this dissertation argues that th...
Artists have lent their voices to many activist initiatives, and the AIDS crisis of the 1980s and 19...
Although scholars increasingly scrutinize late twentieth-century American art produced in relation t...