Cognitive research on Ego-Reference-Point models of time in English traditionally shows that “FUTURE IS IN FRONT OF EGO” and “PAST IS IN BACK OF EGO.” Recently, however, this view has been challenged by other results, showing that there exists a major static model of time wherein “FUTURE IS IN BACK OF EGO” and “PAST IS IN FRONT OF EGO.” However, evidence for both conceptual systems comes predominantly from linguistic and gestural forms of expression. For instance, convincing empirical evidence coming from the manifestation mode of cinema is still lacking. This article attempts to fill this gap by bringing the discussion of temporal metaphors to the foreground of character subjectivity in film. Using concise case-studies taken from various f...
A large part of what is special about film, as a medium, is the way in which it represents time. By ...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
Research in cognitive linguistics and in processing of temporal metaphors has tradi-tionally disting...
While people around the world mentally represent time in terms of space, there is substantial cross-...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
Across cultures, people employ space to construct representations of time. English exhibits two deic...
This article examines the role of situational (dis)continuity and conceptual metaphor in the cinemat...
This article examines the role of situational (dis)continuity and conceptual metaphor in the cinemat...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
A large part of what is special about film, as a medium, is the way in which it represents time. By ...
Cognitive research on metaphoric concepts of time has focused on differences between moving ego and ...
Time provides essential structure to human experience. In this chapter we review the available empir...
A large part of what is special about film, as a medium, is the way in which it represents time. By ...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
Research in cognitive linguistics and in processing of temporal metaphors has tradi-tionally disting...
While people around the world mentally represent time in terms of space, there is substantial cross-...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
Across cultures, people employ space to construct representations of time. English exhibits two deic...
This article examines the role of situational (dis)continuity and conceptual metaphor in the cinemat...
This article examines the role of situational (dis)continuity and conceptual metaphor in the cinemat...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
In conceptual metaphor theory it has been noticed that our reasoning about time is often couched in ...
A large part of what is special about film, as a medium, is the way in which it represents time. By ...
Cognitive research on metaphoric concepts of time has focused on differences between moving ego and ...
Time provides essential structure to human experience. In this chapter we review the available empir...
A large part of what is special about film, as a medium, is the way in which it represents time. By ...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...
This article examines the role of situational (dis)continuity and con- ceptual metaphor in the cinem...