Modern composers of jazz, avant-garde, hip-hop and world music increasingly rely upon unconventional sounds and advances in recording technology to create new and innovative musical works. As one might expect, courts now face the difficult challenge of applying traditional copyright analysis to these contemporary works to determine whether they embody protectable expression. This article highlights some of the issues specific to innovative musical works and the split among the U.S. Circuit Courts in how to measure the substantiality of these works. Copyright practitioners and composers alike should be aware of these challenges in evaluating the extent of copyright protection for contemporary musical expression
On June 3, 2005, the Sixth Circuit issued its final amended opinion in Bridgeport Music v. Dimension...
This Article provides the first empirical study of fair use in cases involving musical works. The ma...
The interaction between music and law is unique to copyright litigation. Music is “commonly regarded...
The standard for copyright infringement is the same across different forms of expression. But musica...
This Article focuses on the topic of music copyright, but addresses this legal issue from a differen...
For over 150 years, federal copyright law in the United States reflected and reinforced the model of...
This chapter offers a critical analysis of copyright law that integrates insights from music. The au...
The law of music copyright, although now quite old, is still relatively young in its development and...
A musical work is a set of instructions that typically consists of music notation, which includes no...
The result of Williams v. Bridgeport Music, Inc. highlights a major issue in musical plagiarism fact...
Contemporary copyright decisions by Federal Courts perplex composers; am I the creative composer, or...
Digital sampling, wherein excerpts from pre-existing recordings are incorporated into a new recordin...
The current system of copyright in America is damaging to both the public and potential creators. Ke...
The standard for copyright infringement is the same across different forms of expression. But musica...
The Constitution gives Congress the power “[t]o promote the Progress of Science and useful Arts,” re...
On June 3, 2005, the Sixth Circuit issued its final amended opinion in Bridgeport Music v. Dimension...
This Article provides the first empirical study of fair use in cases involving musical works. The ma...
The interaction between music and law is unique to copyright litigation. Music is “commonly regarded...
The standard for copyright infringement is the same across different forms of expression. But musica...
This Article focuses on the topic of music copyright, but addresses this legal issue from a differen...
For over 150 years, federal copyright law in the United States reflected and reinforced the model of...
This chapter offers a critical analysis of copyright law that integrates insights from music. The au...
The law of music copyright, although now quite old, is still relatively young in its development and...
A musical work is a set of instructions that typically consists of music notation, which includes no...
The result of Williams v. Bridgeport Music, Inc. highlights a major issue in musical plagiarism fact...
Contemporary copyright decisions by Federal Courts perplex composers; am I the creative composer, or...
Digital sampling, wherein excerpts from pre-existing recordings are incorporated into a new recordin...
The current system of copyright in America is damaging to both the public and potential creators. Ke...
The standard for copyright infringement is the same across different forms of expression. But musica...
The Constitution gives Congress the power “[t]o promote the Progress of Science and useful Arts,” re...
On June 3, 2005, the Sixth Circuit issued its final amended opinion in Bridgeport Music v. Dimension...
This Article provides the first empirical study of fair use in cases involving musical works. The ma...
The interaction between music and law is unique to copyright litigation. Music is “commonly regarded...