he paper examines parallels and difference between representation strategies of Maria Theresia and Catherine the Great. It is based on two groups of interrelated images illustrating double nature of the Empress, i.e. ruler and woman — portraits commemorating succession to the throne and function of a defender of the land, on the one hand (coronation portrait, equestrian portrait, portrait in a national costume), and portraits symbolizing her functions connected with the family and reproducing dynasty (family portrait, ancestral portrait gallery), on the other
This study demonstrates how royal portraiture functioned during the Revolutionary and Napoleonic war...
In 1622 Maria de Medici commissioned two series of twenty four paintings for the galleries in her ne...
When Portugal and Spain ruled the oceans and took possession of the known world, having divided it i...
Miniatura w Kodeksie Gertrudy jest jedynym znanym wizerunkiem królowej Rusi (Regina Russorum). Jest ...
This work will explore Catherine the Great as a ruler and the importance of her wardrobe and the cho...
This dissertation examines the relationship between art and power in the reign of Catherine II of Ru...
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. A...
This thesis examines the representative functions of Elizabeth I's visual portraits, challenging the...
Based on a systematic study of all relevant coins, statues, inscriptions, honorary titles and funera...
The thesis is focused on the imperial propaganda in sculpture, gems and coins. It focuses primarily ...
The article aims ar proving to what degree the images of three women, namely: Livia, Octavia and Jul...
In an attempt to clear her name, French Queen Marie-Antoinette (1755-1793) created her own royal fem...
Through an analysis of physical depictions and literary records, this thesis explored what messages ...
María Anna of Austria was the daughter of Emperor Fernando III and the Infanta María. She married he...
The rivalry of Mary, Queen of Scots and her English cousin Elizabeth I is a storied one that has con...
This study demonstrates how royal portraiture functioned during the Revolutionary and Napoleonic war...
In 1622 Maria de Medici commissioned two series of twenty four paintings for the galleries in her ne...
When Portugal and Spain ruled the oceans and took possession of the known world, having divided it i...
Miniatura w Kodeksie Gertrudy jest jedynym znanym wizerunkiem królowej Rusi (Regina Russorum). Jest ...
This work will explore Catherine the Great as a ruler and the importance of her wardrobe and the cho...
This dissertation examines the relationship between art and power in the reign of Catherine II of Ru...
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. A...
This thesis examines the representative functions of Elizabeth I's visual portraits, challenging the...
Based on a systematic study of all relevant coins, statues, inscriptions, honorary titles and funera...
The thesis is focused on the imperial propaganda in sculpture, gems and coins. It focuses primarily ...
The article aims ar proving to what degree the images of three women, namely: Livia, Octavia and Jul...
In an attempt to clear her name, French Queen Marie-Antoinette (1755-1793) created her own royal fem...
Through an analysis of physical depictions and literary records, this thesis explored what messages ...
María Anna of Austria was the daughter of Emperor Fernando III and the Infanta María. She married he...
The rivalry of Mary, Queen of Scots and her English cousin Elizabeth I is a storied one that has con...
This study demonstrates how royal portraiture functioned during the Revolutionary and Napoleonic war...
In 1622 Maria de Medici commissioned two series of twenty four paintings for the galleries in her ne...
When Portugal and Spain ruled the oceans and took possession of the known world, having divided it i...