Examines Welty’s revision and parody of modernist masculinity in her 1942 story, treating the story as a response to male contemporaries such as Eliot, Faulkner, and Hemingway who consistently wrote on the theme of men living without women. McWhirter explores Nick Adams’s need for control and flight from women’s reproductive functions in several In Our Time stories, particularly “Indian Camp” and “Big Two-Hearted River.
The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve...
The myth of the disobedient woman, along with patriarchal myths of virginity, provide writers with w...
The body of criticism on Welty's fiction has failed to point out that, in The Robber Bridegroom, Wel...
Abstract: By comparing Eudora Welty’s short stories A Piece of News and Flowers for Marjorie, this e...
This dissertation is an attempt to further investigate Eudora Welty''s feminine discourse, a discour...
In “Flowers for Marjorie” and “The Wide Net,” Welty adopts masculine vantage points from which she e...
Discusses the short stories of Eudora Welty, including the portrayal of heroines and women artists, ...
On a 1943 novel about Uruguay by Enrique Amorim, the author of The Robber Bridegroom writes: among ...
The article explores the ambivalence of masculinity in Eudora Welty’s Delta Wedding (1946). Starting...
Although Eudora Welty is a literary artist noted for her feminine approach, she is not a feminist. ...
Eudora Welty's full stature in world literature is not clear because her canon has not yet been see...
While many scholars and critics have evaluated Eudora Welty’s stories through a feminist lens, inclu...
Eudora Welty’s carefully cultivated community of literary mentors and contemporaries has been well d...
Thank Goodness the Goose is Here examines Eudora Welty\u27s only children\u27s book, The Shoe Bird, ...
A number of works by British modernists James Joyce and Virginia Woolf, and American modernists Erne...
The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve...
The myth of the disobedient woman, along with patriarchal myths of virginity, provide writers with w...
The body of criticism on Welty's fiction has failed to point out that, in The Robber Bridegroom, Wel...
Abstract: By comparing Eudora Welty’s short stories A Piece of News and Flowers for Marjorie, this e...
This dissertation is an attempt to further investigate Eudora Welty''s feminine discourse, a discour...
In “Flowers for Marjorie” and “The Wide Net,” Welty adopts masculine vantage points from which she e...
Discusses the short stories of Eudora Welty, including the portrayal of heroines and women artists, ...
On a 1943 novel about Uruguay by Enrique Amorim, the author of The Robber Bridegroom writes: among ...
The article explores the ambivalence of masculinity in Eudora Welty’s Delta Wedding (1946). Starting...
Although Eudora Welty is a literary artist noted for her feminine approach, she is not a feminist. ...
Eudora Welty's full stature in world literature is not clear because her canon has not yet been see...
While many scholars and critics have evaluated Eudora Welty’s stories through a feminist lens, inclu...
Eudora Welty’s carefully cultivated community of literary mentors and contemporaries has been well d...
Thank Goodness the Goose is Here examines Eudora Welty\u27s only children\u27s book, The Shoe Bird, ...
A number of works by British modernists James Joyce and Virginia Woolf, and American modernists Erne...
The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve...
The myth of the disobedient woman, along with patriarchal myths of virginity, provide writers with w...
The body of criticism on Welty's fiction has failed to point out that, in The Robber Bridegroom, Wel...