Provides a brief history of the real fifth column and “fifthcolumnism” (sabotage and infiltration) before addressing the play’s thematic treatment of betrayal, deception, and disorder, and its morally ambiguous protagonist, Philip Rawlings. Valis contends that Hemingway failed to pursue the unsettling moral and political implications of the play, resulting in a work that is too morally convoluted to qualify as political propaganda
Rejects the myth that Hemingway embraced communism in his fiction after gaining a sudden interest in...
Examines the authors’ similar political and moral values. Stoltzfus argues that for both men revolut...
Draws on a posthumous letter by Hemingway to identify and analyze the existence of the dead angle in...
Considers financial security, authorial control, and a passionate political agenda as key motives be...
Traces the one-dimensional Philip Rawlings of the manuscripts to the more emotionally-nuanced charac...
A reading of Hemingway\u27s war-oriented play that tracks mythical sources for both tragic and farci...
Argues that the novel’s complex representation of war as abhorrent yet sometimes justified reflects ...
Review of The Fifth Column and the First Forty-nine Stories, assessing the play as inferior because ...
Assesses Hemingway’s later works, especially his play, considering his protracted literary silence a...
Examines Hemingway’s lifelong interest in and involvement with the theater, discussing the compositi...
Examines the moral dimensions of Hemingway’s code found in For Whom the Bell Tolls considering the a...
Examines the failed production and subsequent negative critical reception of Hemingway’s only play. ...
Provides historical and political contexts for teaching Hemingway’s works, including the short stori...
Traces the evolution of Hemingway’s political stance from isolationist to activist and proponent for...
Examines a controversy arising from the characterization in For Whom the Bell Tolls of a real-life C...
Rejects the myth that Hemingway embraced communism in his fiction after gaining a sudden interest in...
Examines the authors’ similar political and moral values. Stoltzfus argues that for both men revolut...
Draws on a posthumous letter by Hemingway to identify and analyze the existence of the dead angle in...
Considers financial security, authorial control, and a passionate political agenda as key motives be...
Traces the one-dimensional Philip Rawlings of the manuscripts to the more emotionally-nuanced charac...
A reading of Hemingway\u27s war-oriented play that tracks mythical sources for both tragic and farci...
Argues that the novel’s complex representation of war as abhorrent yet sometimes justified reflects ...
Review of The Fifth Column and the First Forty-nine Stories, assessing the play as inferior because ...
Assesses Hemingway’s later works, especially his play, considering his protracted literary silence a...
Examines Hemingway’s lifelong interest in and involvement with the theater, discussing the compositi...
Examines the moral dimensions of Hemingway’s code found in For Whom the Bell Tolls considering the a...
Examines the failed production and subsequent negative critical reception of Hemingway’s only play. ...
Provides historical and political contexts for teaching Hemingway’s works, including the short stori...
Traces the evolution of Hemingway’s political stance from isolationist to activist and proponent for...
Examines a controversy arising from the characterization in For Whom the Bell Tolls of a real-life C...
Rejects the myth that Hemingway embraced communism in his fiction after gaining a sudden interest in...
Examines the authors’ similar political and moral values. Stoltzfus argues that for both men revolut...
Draws on a posthumous letter by Hemingway to identify and analyze the existence of the dead angle in...