Add to ORKGRefutes criticism comparing the structure of In Our Time to radical modernist cubism. Points to distances and mediation within the collection as proof that Hemingway rejected cubist values of immediacy, accessibility, and domination. Focuses on “Indian Camp” and “Big Two-Hearted River” as examples of Hemingway returning to a human scale, appreciating the limits of the body and mind regarding the assimilation of reality
Rather than the 1922 of Ulysses and The Waste Land, posits 1925 as the year modernism went mainstre...
Focuses on the destabilizing influence of violence on language; situating Hemingway within the postw...
Thesis (Master's)--University of Washington, 2022When one thinks of cubism, there are many associati...
Proposes that the novel is a “cubist anatomy” since its structure and the presence of the vignettes ...
On the artist’s development and maturation within the ideal environment of Paris. Focuses on Hemingw...
Explores Hemingway’s contributions to American minimalism through a close reading and stylistic anal...
Examines and compares the two texts as literary artifacts of and responses to the modernist moment. ...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned ...
Applies the Japanese esthetic of ma to Hemingway’s prose style, specifically analyzing “Indian Camp”...
On Hemingway’s modernist aesthetic and the unity of In Our Time. Corkin provides a philosophical dec...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
Locating Hemingway, among others, in the post-literary impressionist period, Fried comments on Ford ...
Studies the complex and variable mode of self-objectification in Hemingway’s fiction, focusing on th...
Messent draws on contemporary theory and recent scholarship to examine the body of Hemingway’s publi...
Rather than the 1922 of Ulysses and The Waste Land, posits 1925 as the year modernism went mainstre...
Focuses on the destabilizing influence of violence on language; situating Hemingway within the postw...
Thesis (Master's)--University of Washington, 2022When one thinks of cubism, there are many associati...
Proposes that the novel is a “cubist anatomy” since its structure and the presence of the vignettes ...
On the artist’s development and maturation within the ideal environment of Paris. Focuses on Hemingw...
Explores Hemingway’s contributions to American minimalism through a close reading and stylistic anal...
Examines and compares the two texts as literary artifacts of and responses to the modernist moment. ...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned ...
Applies the Japanese esthetic of ma to Hemingway’s prose style, specifically analyzing “Indian Camp”...
On Hemingway’s modernist aesthetic and the unity of In Our Time. Corkin provides a philosophical dec...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
Locating Hemingway, among others, in the post-literary impressionist period, Fried comments on Ford ...
Studies the complex and variable mode of self-objectification in Hemingway’s fiction, focusing on th...
Messent draws on contemporary theory and recent scholarship to examine the body of Hemingway’s publi...
Rather than the 1922 of Ulysses and The Waste Land, posits 1925 as the year modernism went mainstre...
Focuses on the destabilizing influence of violence on language; situating Hemingway within the postw...
Thesis (Master's)--University of Washington, 2022When one thinks of cubism, there are many associati...