Add to ORKGTheorizing that the novel is an exploration of the nature of homosexuality, Nissen examines veiled sexual references to Jake, Mike, Bill, and the Count. Argues that Brett serves as their heterosexual alibi
Draws on theories of evolutionary psychology and cognitive science in his examination of masculine p...
Gender study investigating Jake Barnes’s struggle to psychically integrate his masculine consciousne...
Argues that attempts to impose gender norms on Brett and Jake result in misreading the text. Discuss...
Examines Jake’s reaction to Brett’s entourage of homosexuals, concluding that Jake’s misdirected ang...
Traces Jake Barnes’s efforts to define homosexual and heterosexual desire as two separate entities w...
Isn\u27t it pretty to think so? The ambiguity of this question, posed by Jake Barnes in the last li...
Connects the novel’s numerous imperialism references to Brett’s colonization of men, including Cohn,...
“Oh, Jake, ” Brett said, “we could have had a damned good time together.” Ahead was a mounted police...
On the novel’s ambiguous treatment of the other, especially Jews and homosexuals. Argues that a blan...
This paper investigates how gender and sexuality are socially constructed, and therefore how these t...
Draws on manuscripts in his analysis of the hopeless nature of Jake and Brett’s relationship. Cain c...
Arguing for the unreliability of Jake’s prejudiced narration, Fulton rejects the popular reading of ...
Examines the neurological and psychological aftereffects of Jake’s wound, concentrating on the pheno...
On the numerous ambiguities found in Hemingway’s fiction, including how many Nick Adamses exist and ...
Arguing against critical opinion that Brett selflessly sends Romero away while the two are in Madrid...
Draws on theories of evolutionary psychology and cognitive science in his examination of masculine p...
Gender study investigating Jake Barnes’s struggle to psychically integrate his masculine consciousne...
Argues that attempts to impose gender norms on Brett and Jake result in misreading the text. Discuss...
Examines Jake’s reaction to Brett’s entourage of homosexuals, concluding that Jake’s misdirected ang...
Traces Jake Barnes’s efforts to define homosexual and heterosexual desire as two separate entities w...
Isn\u27t it pretty to think so? The ambiguity of this question, posed by Jake Barnes in the last li...
Connects the novel’s numerous imperialism references to Brett’s colonization of men, including Cohn,...
“Oh, Jake, ” Brett said, “we could have had a damned good time together.” Ahead was a mounted police...
On the novel’s ambiguous treatment of the other, especially Jews and homosexuals. Argues that a blan...
This paper investigates how gender and sexuality are socially constructed, and therefore how these t...
Draws on manuscripts in his analysis of the hopeless nature of Jake and Brett’s relationship. Cain c...
Arguing for the unreliability of Jake’s prejudiced narration, Fulton rejects the popular reading of ...
Examines the neurological and psychological aftereffects of Jake’s wound, concentrating on the pheno...
On the numerous ambiguities found in Hemingway’s fiction, including how many Nick Adamses exist and ...
Arguing against critical opinion that Brett selflessly sends Romero away while the two are in Madrid...
Draws on theories of evolutionary psychology and cognitive science in his examination of masculine p...
Gender study investigating Jake Barnes’s struggle to psychically integrate his masculine consciousne...
Argues that attempts to impose gender norms on Brett and Jake result in misreading the text. Discuss...