Describes the two historical bullfights that Hemingway conflated in the account of his first bullfight in the Toronto Star essay “Bullfighting a Tragedy” and later Death in the Afternoon. Mandel argues that recovering the actual details of Hemingway’s first bullfight is important because his “immediate, intense response to that event sparked his life-long involvement with Spain” and resulted in “some of the best American writing of this century.
Examines the view of Spain that emerges through Hemingway’s autobiographical writings (Death in the ...
Influence study. Compares bullfighting depictions in Wright’s Pagan Spain (1957) to Death in the Aft...
Like generations of American students, my first exposure to the outsized life and highly stylized wr...
Biographical study identifying and investigating the details of Hemingway’s first attendance at a 19...
Comprehensive guide to the people, places, events, and other allusions making up Hemingway’s final b...
Provides two bibliographies of literature that influenced Hemingway’s writing of the book, including...
A basic premise of this paper is Hemingway\u27s definition of bullfighting as a tragic art form. Ame...
Biography of the first American bullfighter, Sidney Franklin, who trained with the legendary matador...
Comprehensive guide to the text’s people, animals, and cultural constructs. Helpful and thorough his...
Connects Hemingway’s fascination with bullfighting to his broader performative representations of ma...
Source study explaining how the novel’s fiesta events were inspired by Hemingway’s experiences at th...
Portrait of the art of modern bullfighting in Spain. Mentions in passing Hemingway’s admiration for ...
Biographical study on Hemingway’s love of Spain. Josephs focuses on Hemingway’s Spanish works, parti...
Places Death in the Afternoon at the interface of two non-congruent traditions in bullfight writing:...
Biography of Hemingway’s final visits to Spain in 1959 and 1960 chronicling the aging author’s physi...
Examines the view of Spain that emerges through Hemingway’s autobiographical writings (Death in the ...
Influence study. Compares bullfighting depictions in Wright’s Pagan Spain (1957) to Death in the Aft...
Like generations of American students, my first exposure to the outsized life and highly stylized wr...
Biographical study identifying and investigating the details of Hemingway’s first attendance at a 19...
Comprehensive guide to the people, places, events, and other allusions making up Hemingway’s final b...
Provides two bibliographies of literature that influenced Hemingway’s writing of the book, including...
A basic premise of this paper is Hemingway\u27s definition of bullfighting as a tragic art form. Ame...
Biography of the first American bullfighter, Sidney Franklin, who trained with the legendary matador...
Comprehensive guide to the text’s people, animals, and cultural constructs. Helpful and thorough his...
Connects Hemingway’s fascination with bullfighting to his broader performative representations of ma...
Source study explaining how the novel’s fiesta events were inspired by Hemingway’s experiences at th...
Portrait of the art of modern bullfighting in Spain. Mentions in passing Hemingway’s admiration for ...
Biographical study on Hemingway’s love of Spain. Josephs focuses on Hemingway’s Spanish works, parti...
Places Death in the Afternoon at the interface of two non-congruent traditions in bullfight writing:...
Biography of Hemingway’s final visits to Spain in 1959 and 1960 chronicling the aging author’s physi...
Examines the view of Spain that emerges through Hemingway’s autobiographical writings (Death in the ...
Influence study. Compares bullfighting depictions in Wright’s Pagan Spain (1957) to Death in the Aft...
Like generations of American students, my first exposure to the outsized life and highly stylized wr...