Add to ORKGInterprets Ford’s paintings of hunted animals through a literary lens to uncover the relationship between hunting, naturalist art, and colonialism. Examines the brief extract on the sable antelope from Green Hills of Africa that inspired and accompanies Ford’s Lost Trophy. Whittle discusses its complicated message regarding environmental possession, exploitation, and conservationism, contending that Hemingway fails to acknowledge his own complicity in the destruction of the natural world. Concludes that Ford’s painting depicts an animal resisting the hunter’s possession, thus revealing the fragility of colonial dominance
Details the history of foreign big-game hunting from the middle of the nineteenth century through th...
Should we kill animals to save animals? This question lies at the heart of this case study. Sovereig...
Trophy hunting of wild lions (Panthera leo) is controversial - its impact on conservation has been ...
This article argues that the work of contemporary American artist Walton Ford stages the paradoxical...
Trophy hunting has occupied a prominent position in recent scholarly literature and popular media. I...
This book gets to the heart of trophy hunting, unpacking and explaining its multiple facets and cont...
After the Hunt connects technological developments in visual media to hunting practices and ecologic...
Hunter's Trophies of four deer attached to their Car captured by William F. Whit
From Audubon’s still-life watercolors to Muybridge’s trip-wire locomotion studies, from Melville’s e...
Sociohistorical study of Hemingway’s nonfiction narrative as an ecological lament to the catastrophi...
Contextualizes Hemingway’s passion for animals, both wild and domestic, within the modern industrial...
This thesis examines representations of exotic animals in Victorian and Edwardian adventure fiction ...
Traces the historical development of American hunting culture and the resulting social attitudes tow...
This essay examines an exhibition by the French artist duo Art Orienté Objet at the Musée de la Chas...
Draws on narrative ethics in his stylistic analysis of Flaubertian aesthetics in Hemingway’s treatme...
Details the history of foreign big-game hunting from the middle of the nineteenth century through th...
Should we kill animals to save animals? This question lies at the heart of this case study. Sovereig...
Trophy hunting of wild lions (Panthera leo) is controversial - its impact on conservation has been ...
This article argues that the work of contemporary American artist Walton Ford stages the paradoxical...
Trophy hunting has occupied a prominent position in recent scholarly literature and popular media. I...
This book gets to the heart of trophy hunting, unpacking and explaining its multiple facets and cont...
After the Hunt connects technological developments in visual media to hunting practices and ecologic...
Hunter's Trophies of four deer attached to their Car captured by William F. Whit
From Audubon’s still-life watercolors to Muybridge’s trip-wire locomotion studies, from Melville’s e...
Sociohistorical study of Hemingway’s nonfiction narrative as an ecological lament to the catastrophi...
Contextualizes Hemingway’s passion for animals, both wild and domestic, within the modern industrial...
This thesis examines representations of exotic animals in Victorian and Edwardian adventure fiction ...
Traces the historical development of American hunting culture and the resulting social attitudes tow...
This essay examines an exhibition by the French artist duo Art Orienté Objet at the Musée de la Chas...
Draws on narrative ethics in his stylistic analysis of Flaubertian aesthetics in Hemingway’s treatme...
Details the history of foreign big-game hunting from the middle of the nineteenth century through th...
Should we kill animals to save animals? This question lies at the heart of this case study. Sovereig...
Trophy hunting of wild lions (Panthera leo) is controversial - its impact on conservation has been ...