Add to ORKGExplores Hemingway’s contributions to American minimalism through a close reading and stylistic analysis of the author’s precise molding of narrative in the stories and vignettes of In Our Time. Clark draws on manuscripts to illustrate Hemingway’s theory of omission in action, focusing on his use of spare details and nonintrusive narration to achieve emotional depth and thematic complexity
Hemingway maintains, throughout his career, that to even talk about writing, to come even close to r...
This study investigates how minimalist narrative techniques in American modernist literature oblige ...
On Wallace’s complex relationship with minimalism, a mode he both adopted and rejected. Clark addres...
Applies the Japanese esthetic of ma to Hemingway’s prose style, specifically analyzing “Indian Camp”...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
On Hemingway’s modernist aesthetic and the unity of In Our Time. Corkin provides a philosophical dec...
Surveys examples of communication and miscommunication patterns between characters throughout Heming...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Traces the differing modes of visual representation in Hemingway’s major fiction, including In Our T...
Details Hemingway’s contact with Cézanne and the painter’s influence on Hemingway’s work, especially...
Refutes criticism comparing the structure of In Our Time to radical modernist cubism. Points to dist...
In the Art of the Short Story Hemingway elaborates on his concept of omission as it relates not on...
The term “minimalism” gained popularity in the world of visual arts in the early 1960s but only appr...
Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned ...
Analyzes the relationship between Hemingway’s journalistic background and his stories, suggesting th...
Hemingway maintains, throughout his career, that to even talk about writing, to come even close to r...
This study investigates how minimalist narrative techniques in American modernist literature oblige ...
On Wallace’s complex relationship with minimalism, a mode he both adopted and rejected. Clark addres...
Applies the Japanese esthetic of ma to Hemingway’s prose style, specifically analyzing “Indian Camp”...
Guide geared to students and teachers covering the biographical, cultural, and literary contexts of ...
On Hemingway’s modernist aesthetic and the unity of In Our Time. Corkin provides a philosophical dec...
Surveys examples of communication and miscommunication patterns between characters throughout Heming...
Argues against those who find Hemingway’s writing superficial and artless, showing how Hemingway’s c...
Traces the differing modes of visual representation in Hemingway’s major fiction, including In Our T...
Details Hemingway’s contact with Cézanne and the painter’s influence on Hemingway’s work, especially...
Refutes criticism comparing the structure of In Our Time to radical modernist cubism. Points to dist...
In the Art of the Short Story Hemingway elaborates on his concept of omission as it relates not on...
The term “minimalism” gained popularity in the world of visual arts in the early 1960s but only appr...
Argues that In Our Time should be classified as a short story cycle for it is “too finely patterned ...
Analyzes the relationship between Hemingway’s journalistic background and his stories, suggesting th...
Hemingway maintains, throughout his career, that to even talk about writing, to come even close to r...
This study investigates how minimalist narrative techniques in American modernist literature oblige ...
On Wallace’s complex relationship with minimalism, a mode he both adopted and rejected. Clark addres...