Add to ORKGDiscusses Hemingway’s iconic status in American popular culture, identifying masculinity as central to the Hemingway legend. Divides Hemingway’s brand of masculinity into three components, arguing that sports exemplified his code hero status, heavy drinking proved his ability to “hold his own,” and romantic relationships illustrated his virility
Celebratory survey of major texts, including A Farewell to Arms and For Whom the Bell Tolls, to illu...
Focusing primarily on In Our Time and Men Without Women, Harding discredits overly-simplistic accoun...
Argues that Hemingway intentionally imitated Byron in the creation of a celebrity persona to simulta...
Situates constructions of masculinity and sexuality in Hemingway and his best-known male protagonist...
Exploration of the culturally constructed masculine ideal found in “The Battler” and “Fifty Grand.” ...
Hemingway has often been considered an overly masculine writer; as a public figure who was known for...
Hemingway\u27s boxing metaphor and the male opponents (emphasized by the masculine forms of address)...
Challenges the popular understanding of Hemingway as a traditional masculinist, contending that masc...
Study of the complex and diverse expression of masculinity found in Hemingway’s works. Fantina draws...
Masculinity study focusing on Hemingway’s thematic blurring of the boundaries between the masculine ...
This thesis examines the conception and destruction of masculine identities in Ernest Hemingway’s fi...
On Hemingway’s definition of masculinity, with a brief reference to Jig of “Hills Like White Elephan...
Drawing on performance, gender, and masculinity theories, Strychacz analyzes Hemingway’s problematic...
Focusing on socially constructed representations of gender, Strychacz draws on performance studies t...
Discusses the constructed roles of masculinity and femininity in the collection, focusing on female ...
Celebratory survey of major texts, including A Farewell to Arms and For Whom the Bell Tolls, to illu...
Focusing primarily on In Our Time and Men Without Women, Harding discredits overly-simplistic accoun...
Argues that Hemingway intentionally imitated Byron in the creation of a celebrity persona to simulta...
Situates constructions of masculinity and sexuality in Hemingway and his best-known male protagonist...
Exploration of the culturally constructed masculine ideal found in “The Battler” and “Fifty Grand.” ...
Hemingway has often been considered an overly masculine writer; as a public figure who was known for...
Hemingway\u27s boxing metaphor and the male opponents (emphasized by the masculine forms of address)...
Challenges the popular understanding of Hemingway as a traditional masculinist, contending that masc...
Study of the complex and diverse expression of masculinity found in Hemingway’s works. Fantina draws...
Masculinity study focusing on Hemingway’s thematic blurring of the boundaries between the masculine ...
This thesis examines the conception and destruction of masculine identities in Ernest Hemingway’s fi...
On Hemingway’s definition of masculinity, with a brief reference to Jig of “Hills Like White Elephan...
Drawing on performance, gender, and masculinity theories, Strychacz analyzes Hemingway’s problematic...
Focusing on socially constructed representations of gender, Strychacz draws on performance studies t...
Discusses the constructed roles of masculinity and femininity in the collection, focusing on female ...
Celebratory survey of major texts, including A Farewell to Arms and For Whom the Bell Tolls, to illu...
Focusing primarily on In Our Time and Men Without Women, Harding discredits overly-simplistic accoun...
Argues that Hemingway intentionally imitated Byron in the creation of a celebrity persona to simulta...