Add to ORKGPreviously published as “Distance, Voice, and Temporal Perspective in Frederic Henry’s Narration: Powers, Problems, Paradox” in New Essays on A Farewell to Arms, edited by Scott Donaldson, 53-73. Cambridge: Cambridge University Press, 1990
Draws on William James’s philosophical theories, arguing that Jamesion pragmatism helps the reader t...
F. Scott Fitzgerald’s The Great Gatsby proves that the narration is the main element of literature, ...
I. Emotional dimensions of temporality II. Structuralist approaches to narrative: emphasis on protr...
Focuses on Hemingway’s complex narrative techniques at different stages in the novel to show how Hem...
Drawing on the theories of Bakhtin, Phelan defines voice as a complex literary tool to link Frederic...
Concentrates on the novel’s dialogical qualities, analyzing Hemingway’s controlled style in relation...
Reads Henry’s retelling of his past trauma as a form of “prosthetic thinking,” attempting to make wh...
Points to the novel as an inspiration and resource for writers of fiction. Sexton differentiates bet...
Lacanian reading relying on psychoanalysis and linguistics to analyze pronominal and metaphorical sh...
Discusses the retrospective narrative’s stylized resistance to accessing the lived experience of the...
Stylistic and intertextual analysis comparing Hemingway’s novel with Henri Barbusse’s Le feu (1916),...
Proposes the calamity of the novel to be the love between the protagonists, arguing that A Farewell ...
129 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.Prosper Merimee's short stori...
This monograph investigates the temporal interpretation of narrative discourse in two parts. The the...
Manuscript study dating Frederic Henry’s retrospective narrative. Relying on the historical placemen...
Draws on William James’s philosophical theories, arguing that Jamesion pragmatism helps the reader t...
F. Scott Fitzgerald’s The Great Gatsby proves that the narration is the main element of literature, ...
I. Emotional dimensions of temporality II. Structuralist approaches to narrative: emphasis on protr...
Focuses on Hemingway’s complex narrative techniques at different stages in the novel to show how Hem...
Drawing on the theories of Bakhtin, Phelan defines voice as a complex literary tool to link Frederic...
Concentrates on the novel’s dialogical qualities, analyzing Hemingway’s controlled style in relation...
Reads Henry’s retelling of his past trauma as a form of “prosthetic thinking,” attempting to make wh...
Points to the novel as an inspiration and resource for writers of fiction. Sexton differentiates bet...
Lacanian reading relying on psychoanalysis and linguistics to analyze pronominal and metaphorical sh...
Discusses the retrospective narrative’s stylized resistance to accessing the lived experience of the...
Stylistic and intertextual analysis comparing Hemingway’s novel with Henri Barbusse’s Le feu (1916),...
Proposes the calamity of the novel to be the love between the protagonists, arguing that A Farewell ...
129 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.Prosper Merimee's short stori...
This monograph investigates the temporal interpretation of narrative discourse in two parts. The the...
Manuscript study dating Frederic Henry’s retrospective narrative. Relying on the historical placemen...
Draws on William James’s philosophical theories, arguing that Jamesion pragmatism helps the reader t...
F. Scott Fitzgerald’s The Great Gatsby proves that the narration is the main element of literature, ...
I. Emotional dimensions of temporality II. Structuralist approaches to narrative: emphasis on protr...