Abstract: Starting from the observation that fictional stimuli can cause emotions, the question arises what are the necessary and sufficient conditions for this observation, both in terms of situational factors and intervening mechanisms. To tackle this question I propose following 3 steps. In a first step, I define the difference between real and fictional stimuli in terms of their relation to reality. If fictional stimuli can elicit emotions, one may already conclude that reality is not a necessary condition for emotion elicitation. In a second step, I list a number of factors that may typically co-vary with the reality factor (e.g., vividness, goal relevance, distance from the self, perceptual vs. verbal format of external or internal r...