When I started graduate school I was working with very different artistic problems, all of which seemed to me at the time to be incapable of evolution. I was attracted to geometric abstraction and "conceptual" art. Some of the ideas have remained exciting today and are incorporated in my present work. Still with me from my earlier work is the idea of the object in space, now the human "object". I had tried to approach this problem from a time point of view by making myself or some other person in actuality be the object. (That was in a piece in which two signs would be put on a highway at an arbitrary distance from each other, one saying "begin", and the other, "end".) In some pencil drawings I used semi-discs arranged on a grid. Each unit ...
How is it possible that civilization has a global understanding of the abstraction of the human form...
My fundamental aim for painting the human form is objectivity. In so doing I try to capture an emoti...
In the Fall Semester of 1974 I began a series of painted studies of the human figure. Working direct...
The human figure is the primary motif of my work. For me it holds the potential of expressing all...
This thesis evolved after two years of studying the figure and color-space relationship on the canva...
My thesis show consists of a number of paintings and drawings, all dealing with the figure. The draw...
My thesis work is part of my continuing investigation of the perceived form in space. I am involved ...
In this study the human figure was used as a departure. I imposed my own style of drawing on the hum...
The most interesting form that nature has produced over the millennia is the human form which is cap...
About six years ago I was making constructions to incorporate objects and words (my poems and those ...
I am concerned with line and shape. All of my prints and drawings are landscapes. Figures appear in ...
[[abstract]]Abstract This thesis presents a drawing research exploring the relationship between the...
My thesis show consists of seven figures, three in terra cotta, two in wax, and two in terra cotta a...
I have witnessed man's failure to set limitations to his existence. For example, he fails to see obs...
The work presented in this thesis consists of three large, free-standing shaped paintings, one large...
How is it possible that civilization has a global understanding of the abstraction of the human form...
My fundamental aim for painting the human form is objectivity. In so doing I try to capture an emoti...
In the Fall Semester of 1974 I began a series of painted studies of the human figure. Working direct...
The human figure is the primary motif of my work. For me it holds the potential of expressing all...
This thesis evolved after two years of studying the figure and color-space relationship on the canva...
My thesis show consists of a number of paintings and drawings, all dealing with the figure. The draw...
My thesis work is part of my continuing investigation of the perceived form in space. I am involved ...
In this study the human figure was used as a departure. I imposed my own style of drawing on the hum...
The most interesting form that nature has produced over the millennia is the human form which is cap...
About six years ago I was making constructions to incorporate objects and words (my poems and those ...
I am concerned with line and shape. All of my prints and drawings are landscapes. Figures appear in ...
[[abstract]]Abstract This thesis presents a drawing research exploring the relationship between the...
My thesis show consists of seven figures, three in terra cotta, two in wax, and two in terra cotta a...
I have witnessed man's failure to set limitations to his existence. For example, he fails to see obs...
The work presented in this thesis consists of three large, free-standing shaped paintings, one large...
How is it possible that civilization has a global understanding of the abstraction of the human form...
My fundamental aim for painting the human form is objectivity. In so doing I try to capture an emoti...
In the Fall Semester of 1974 I began a series of painted studies of the human figure. Working direct...