Recently, I have found myself grappling with the theoretical concept of power relationships in the classroom. Coming from a Foucauldian viewpoint, and looking through a feminist lens, I have been looking for methods to deconstruct traditional ways that dance is taught in a university setting. Further, as a somatic educator, I am particularly aware of and sensitive to how dancer’s bodies can be abused, manipulated, and taught to perform in ways that are destructive and harmful to student dancers. I wish to find less oppressive and more bodily conscious ways to teach dance. This is why I chose to conduct a study, which investigated the bodily perceptions of undergraduate dance students in dance, and how their previous experiences in dance...
This paper outlines the affirmative potential of diffractive pedagogies, presenting learning through...
We argue that incorporating a yogic pedagogical approach in college classrooms, specifically classro...
Background: Research has indicated that an aesthetic perspective on movement is lacking in physical ...
ABSTRACT This study explored the embodied graduate educational experiences of dance/movement therapy...
Dancers, in their formal training, are deprived of many basic human experiences and are often not ex...
This pedagogical practice-based research flows from the dance studio. It explores experiences of lea...
This paper examines the authoritarian pedagogical practices found in educational settings and more s...
In this paper, I reflect on research undertaken with third year University students in dance. To con...
Many dance educators and researchers are concerned about issues regarding the health and wellness of...
Recently, the field of somatics has provided dance scholarship with a growing body of literature. Re...
In this article, I started from the experience of somatic approaches to movement at the undergraduat...
University of Minnesota Ph.D. dissertation. June 2016. Major: Education, Curriculum and Instruction...
The twenty-first century ballet class often retains traditional organization, beginning with the bar...
Belly dance is a popular form of exotic dance in the West. Dancers, who are primarily White women, p...
The body is central to all human interaction and is literally the instrument through which teachers ...
This paper outlines the affirmative potential of diffractive pedagogies, presenting learning through...
We argue that incorporating a yogic pedagogical approach in college classrooms, specifically classro...
Background: Research has indicated that an aesthetic perspective on movement is lacking in physical ...
ABSTRACT This study explored the embodied graduate educational experiences of dance/movement therapy...
Dancers, in their formal training, are deprived of many basic human experiences and are often not ex...
This pedagogical practice-based research flows from the dance studio. It explores experiences of lea...
This paper examines the authoritarian pedagogical practices found in educational settings and more s...
In this paper, I reflect on research undertaken with third year University students in dance. To con...
Many dance educators and researchers are concerned about issues regarding the health and wellness of...
Recently, the field of somatics has provided dance scholarship with a growing body of literature. Re...
In this article, I started from the experience of somatic approaches to movement at the undergraduat...
University of Minnesota Ph.D. dissertation. June 2016. Major: Education, Curriculum and Instruction...
The twenty-first century ballet class often retains traditional organization, beginning with the bar...
Belly dance is a popular form of exotic dance in the West. Dancers, who are primarily White women, p...
The body is central to all human interaction and is literally the instrument through which teachers ...
This paper outlines the affirmative potential of diffractive pedagogies, presenting learning through...
We argue that incorporating a yogic pedagogical approach in college classrooms, specifically classro...
Background: Research has indicated that an aesthetic perspective on movement is lacking in physical ...