The miniatures in this manuscript are on a much smaller scale than those in the Baysunghur manuscripts, painted with great skill in enamel colours, the figures dwarfed by the brilliance of the landscape. The artists show far greater interest in the natural world, so that it takes over the function of dramatic setting, trees are more windswept etc. Human figures are still generally stiff, especially when on horseback, but there is less monotony in stance or movement, and in this battle scene a definitive advance towards more complex composition. -- 9 x 5.25"
Part of a famous series, this picture illustrates the recourse to modelling and shading which occurr...
The leaf has a wide, patterned border on three sides. A large crowd of people are illustrated, some ...
The main objective of this doctoral research is to analyse a group of miniature paintings produced b...
The paper begins by summarizing the basic information about the Shahnama produced in Herat for the T...
Mughal art developed its chief characteristics during the reign of Akbar the Great (1556-1605). Akba...
Shahnameh has always been one of the literary works which Persian minia-turists have been especially...
Taken from an Akbarnama, or History of Akbar, the scene depicts an episode in the life of Humayan, f...
With 1370 Shah-nama the natural landscape of the first half of the century is left behind for a conc...
Half of a double-page composition. This miniature, which has been attributed to Muhammadi, is the ha...
Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a pain...
The dark green field, with yellowish clumps of grass, is subtly shaded in order to suggest the uneve...
Toward the end of the seventeenth century, the Mughal Empire began to decline, weakened by Aurangzeb...
this article is devoted to the political, social and artistic processes that affect the miniature ce...
THE Department of Oriental Manuscripts and Printed Books has recently acquired a Persian manuscript ...
A rock drawing in north-west Arabia shows a rider, a chariot and a foot soldier in battle. It is exc...
Part of a famous series, this picture illustrates the recourse to modelling and shading which occurr...
The leaf has a wide, patterned border on three sides. A large crowd of people are illustrated, some ...
The main objective of this doctoral research is to analyse a group of miniature paintings produced b...
The paper begins by summarizing the basic information about the Shahnama produced in Herat for the T...
Mughal art developed its chief characteristics during the reign of Akbar the Great (1556-1605). Akba...
Shahnameh has always been one of the literary works which Persian minia-turists have been especially...
Taken from an Akbarnama, or History of Akbar, the scene depicts an episode in the life of Humayan, f...
With 1370 Shah-nama the natural landscape of the first half of the century is left behind for a conc...
Half of a double-page composition. This miniature, which has been attributed to Muhammadi, is the ha...
Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a pain...
The dark green field, with yellowish clumps of grass, is subtly shaded in order to suggest the uneve...
Toward the end of the seventeenth century, the Mughal Empire began to decline, weakened by Aurangzeb...
this article is devoted to the political, social and artistic processes that affect the miniature ce...
THE Department of Oriental Manuscripts and Printed Books has recently acquired a Persian manuscript ...
A rock drawing in north-west Arabia shows a rider, a chariot and a foot soldier in battle. It is exc...
Part of a famous series, this picture illustrates the recourse to modelling and shading which occurr...
The leaf has a wide, patterned border on three sides. A large crowd of people are illustrated, some ...
The main objective of this doctoral research is to analyse a group of miniature paintings produced b...