Navigating Contact: tradition and innovation in Australian contact rock art

In this paper, we look at the ways in which rock art encapsulates and expresses the tension between tradition and innovation in northern Australia during the period of European colonization. The appearance of new motifs and techniques for producing rock art in the recent past sits alongside the continuation of 'traditional' practices reflecting thousands of years of artistic expression. Using case studies from Arnhem Land, we reflect on both ethnographic and archaeological evidence in order to interrogate the ways in which innovation impacted upon and was used by Indigenous groups to navigate contact. Our findings suggest that technological conservatism and the resistance to new technologies by Aboriginal communities is both considered and partial, with the overriding logic being about minimizing the disruption of specific values conceptualised as traditional, rather than eliminating or avoiding all outside influence.This research was supported by a TOPOI Senior fellowship at the DAI Eurasien Abteilung (Frieman) and a Visiting Fellowship at Linnaeus University Centre for Concurrences in Colonial and Postcolonial Studies (May), and funding was provided by ARC Discovery Project DP0877463: Picturing Change: twenty-first Century Perspectives on Recent Australian Rock Art (Taçon, Ross, Paterson and May), ARC Discovery Grant DP160101832: History Places: Wellington range rock art in global context (Taçon, May, Brady, Wright, Goldhahn and Domingo Sanz), and ARC DECRA DE170100464: Conservatism as a Dynamic Response to Social and Technological Change (Frieman)