As one of the most significant and versatile composers of the twentieth century, Benjamin Britten's vocal output provides a wealth of musical delights for performers, audiences and scholars. Exploring a fertile period of the composer's career from 1953-58 in which he produced, amongst others, the cycle Winter Words (Op. 52) 1953 and Canticle III: Still falls the Rain (Op. 55) 1954, this article reviews a distinguished new recording produced under the auspices of Cantus Music (https://www.cantusmusic.net). This article was published on the Taylor and Francis website on 4 May 2020 and will be published in the journal Musicology Australia in the July 2020 issue
In this wonderful book Philip Rupprecht develops a new, unified theoretical approach to Britten’s dr...
The role of the orchestra within an ever-changing social and political environment has recently attr...
Music and Sexuality in Britten: Selected Essays consists of shards collected and transformed into a ...
Ton de Leeuw (1926–96) is held in high regard in the Netherlands for his achievements across a numbe...
Review of the following books: 'Selling Britten: music and the market place' by Paul Kildea; 'Michae...
Britten as a public figure. Britten as a composer of music for children, amateurs, and the church. T...
Bibliography: leaf [66].Winter Words Op. 52, composed in 1953, is one of several song cycles by Benj...
Includes bibliographical references (pages 152-154)The operas of Benjamin Britten seem to have earne...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
The choral works of English composer Benjamin Britten (1913-76), like his efforts in other forms, ha...
Review of the following books: 'Nineteenth-century British music studies volume 2' ed. Jeremy Dibble...
A review of the book "Motets for One, Two or Three Voices and Basso Continuo," by Richard Dering, ed...
Luis Magalhães (piano) and Peter Martens (cello) Beethoven: Sonatas for Cello and Piano. 2010. ...
In this wonderful book Philip Rupprecht develops a new, unified theoretical approach to Britten's dr...
This article reviews the following books: Singing Archaeology: Philip Glass's ‘Akhnaten’ by John R...
In this wonderful book Philip Rupprecht develops a new, unified theoretical approach to Britten’s dr...
The role of the orchestra within an ever-changing social and political environment has recently attr...
Music and Sexuality in Britten: Selected Essays consists of shards collected and transformed into a ...
Ton de Leeuw (1926–96) is held in high regard in the Netherlands for his achievements across a numbe...
Review of the following books: 'Selling Britten: music and the market place' by Paul Kildea; 'Michae...
Britten as a public figure. Britten as a composer of music for children, amateurs, and the church. T...
Bibliography: leaf [66].Winter Words Op. 52, composed in 1953, is one of several song cycles by Benj...
Includes bibliographical references (pages 152-154)The operas of Benjamin Britten seem to have earne...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
The choral works of English composer Benjamin Britten (1913-76), like his efforts in other forms, ha...
Review of the following books: 'Nineteenth-century British music studies volume 2' ed. Jeremy Dibble...
A review of the book "Motets for One, Two or Three Voices and Basso Continuo," by Richard Dering, ed...
Luis Magalhães (piano) and Peter Martens (cello) Beethoven: Sonatas for Cello and Piano. 2010. ...
In this wonderful book Philip Rupprecht develops a new, unified theoretical approach to Britten's dr...
This article reviews the following books: Singing Archaeology: Philip Glass's ‘Akhnaten’ by John R...
In this wonderful book Philip Rupprecht develops a new, unified theoretical approach to Britten’s dr...
The role of the orchestra within an ever-changing social and political environment has recently attr...
Music and Sexuality in Britten: Selected Essays consists of shards collected and transformed into a ...