PSYCHOLOGICAL MOMENT OF MELANCHOLY AS A REFLECTION OF CREATIVITY IN DEVELOPING FASHION COLLECTION

Tema ovog diplomskog rada odnosi se na oblikovanje modne kolekcije eksperimentalnim pristupom tijelu i objektu te njihovoj fuziji koja briše granice između živog i neživog te prisutnosti i odsutnosti subjekta. Psihološki aspekt melankolije kroz povijest obrazlaže se motivima koji su obilježili fizički izgled melankolika i njegovu ulogu u povijesti umjetnosti. Temeljni pristup izradi kolekcije počiva na utjelovljenju melankolika, depersonalizacijom u formi maske i oklopa, koji istovremeno štite tijelo, izdvajaju ga iz prostora te čine njegovo stanište i sklonište. Na taj način, vrše simbiozu s novonastalim tijelom i dovode ga do mutiranja. Pomicanjem granica tijela i njegovom metamorfozom, cilj je uprizoriti fluidne identitete, bešavnim pristupom realizaciji objekata kolekcije.The topic of this diploma thesis is related to the process of designing a fashion collection that implies experimental approach to a body and an object and to their fusion by means of which the boundaries between the living and the inanimate, as well as between the presence and absence are wiped. The psychological aspect of melancholy has been explained through the history by motifs that have marked physical appearance of a melancholic and its role in the history of art. The basic approach to the collection design is based on the embodiment of a melancholic by means of depersonalization in the form of mask and armature that protect the body, separate it from the environment and constitute its habitat and shelter, all at the same time. In this way, they create a symbiosis with the newly formed body and cause its mutation. The movement of body’s boundaries and its metamorphosis aim to stage fluid identities by seamless approach to the implementation of collection objects