This essay examines how the Harding Project, a digital and oral history project at the University of Windsor, decided to use comics as one way to tell the story of the 1934 Chatham Coloured All-Stars. It is a story of collaboration and what can happen when conversation is allowed to develop organically as connections are created with the community. This essay details one such collaboration, between individual community members, community groups, and researchers from History, Leddy Library, and English at the University of Windsor, and the resulting cross-pollination of public history, digital librarianship, and comics studies. In telling this story, the essay examines the ways in which comics, in a variety of forms, can aid in the public di...
International audienceThis paper, both a testimony and reflection about the author’s experience as c...
Some of the foundational texts of Comics Studies of the 1960s and 70s emerged from Art History, regi...
Invisible in Plain View: Libraries, Archives, Digitization, Memory, and the 1934 Chatham Coloured Al...
This article examines the history of educational and public information comics and the emergence of ...
Comics are an indisputable part of popular culture. But compared to any other audiovisual media prod...
This paper considers potential ways comics narratives with a documentary claim can participate in th...
This summer, I was given the opportunity to intern in the University of Dundee Archives. I focused o...
This paper, both a testimony and reflection about the author’s experience as contributor of the “co...
International audienceThis paper, both a testimony and reflection about the author’s experience as c...
What is the narrative of comic book history in the United States? For some comic scholars, a canon d...
Comics can be used as sophisticated teaching tools at a high level of education. Comic books, graphi...
This is an accepted manuscript of an article published by Taylor & Francis in The Serials Librarian,...
Comics can appear in print and digital formats as newspaper cartoon, comic strip, a story of one or ...
Telling the Stories of the Chatham Coloured All-Stars: Online and in the Community” In this presenta...
The development of comics studies in the United States has been linked to the institutionalization o...
International audienceThis paper, both a testimony and reflection about the author’s experience as c...
Some of the foundational texts of Comics Studies of the 1960s and 70s emerged from Art History, regi...
Invisible in Plain View: Libraries, Archives, Digitization, Memory, and the 1934 Chatham Coloured Al...
This article examines the history of educational and public information comics and the emergence of ...
Comics are an indisputable part of popular culture. But compared to any other audiovisual media prod...
This paper considers potential ways comics narratives with a documentary claim can participate in th...
This summer, I was given the opportunity to intern in the University of Dundee Archives. I focused o...
This paper, both a testimony and reflection about the author’s experience as contributor of the “co...
International audienceThis paper, both a testimony and reflection about the author’s experience as c...
What is the narrative of comic book history in the United States? For some comic scholars, a canon d...
Comics can be used as sophisticated teaching tools at a high level of education. Comic books, graphi...
This is an accepted manuscript of an article published by Taylor & Francis in The Serials Librarian,...
Comics can appear in print and digital formats as newspaper cartoon, comic strip, a story of one or ...
Telling the Stories of the Chatham Coloured All-Stars: Online and in the Community” In this presenta...
The development of comics studies in the United States has been linked to the institutionalization o...
International audienceThis paper, both a testimony and reflection about the author’s experience as c...
Some of the foundational texts of Comics Studies of the 1960s and 70s emerged from Art History, regi...
Invisible in Plain View: Libraries, Archives, Digitization, Memory, and the 1934 Chatham Coloured Al...