Ruyter (emer., Univ. of California, Irvine) has written two other books on North American dance in the 19th and 20th centuries, among them The Cultivation of Body and Mind in Nineteenth-Century American Delsartism (CH, Mar\u2700, 37-3846). To the present project she brings her perspective as a student of La Meri (1898–1988) as well as her extensive scholarship on various world dance traditions. This well-researched and extremely detailed chronicle of La Meri’s life, international performance career, teaching, and writing is a valuable resource for understanding the role ethnic dance (now world dance) played in shaping 20th-century North American concert dance. Ruyter acknowledges developments in the practice and theory of world dance, and...
With this book, her first, Harris (Univ. of Wisconsin, Madison) makes an important contribution to a...
Agnes De Mille is an important American choreographer in both ballet (works such as Rodeo and Fall R...
At the end of the nineteenth century and during the first half of the twentieth, lead dancers from d...
Drawing on significant library research and on paintings, photographs, poems, videotapes, and interv...
Also author of Choreophobia: Solo Improvised Dance in the Iranian World (1999), Choreographic Politi...
This first critical overview of the Cunningham\u27s long career is the result of decades of study of...
Skeaping was a dancer/teacher, choreographer, and scholar, as was Magri. Their common perspective co...
Coeditor (with Ellen Goellner) of Bodies of the Text (CH, Oct\u2795, 33-0847), Shea Murphy (Univ. of...
A Canadian with a background in philosophy and women\u27s studies, Vigier focuses here on ways that ...
This two-volume collection includes perspectives on unusual topics and original perspectives on well...
Gitelman (emer., Rutgers Univ.) offers a detailed account of the summer dance program directed by Ho...
In this, her first book, Kolcio (dance, Wesleyan Univ.) focuses on the founding of six major America...
Teck explores the creation and performance of music for ballet, modern concert dance, and musical th...
Noland (French and comparative literature, Univ. of California, Irvine) has written numerous books, ...
Foster (Univ. of California, Riverside), author of the critically acclaimed Reading Dancing (CH, Apr...
With this book, her first, Harris (Univ. of Wisconsin, Madison) makes an important contribution to a...
Agnes De Mille is an important American choreographer in both ballet (works such as Rodeo and Fall R...
At the end of the nineteenth century and during the first half of the twentieth, lead dancers from d...
Drawing on significant library research and on paintings, photographs, poems, videotapes, and interv...
Also author of Choreophobia: Solo Improvised Dance in the Iranian World (1999), Choreographic Politi...
This first critical overview of the Cunningham\u27s long career is the result of decades of study of...
Skeaping was a dancer/teacher, choreographer, and scholar, as was Magri. Their common perspective co...
Coeditor (with Ellen Goellner) of Bodies of the Text (CH, Oct\u2795, 33-0847), Shea Murphy (Univ. of...
A Canadian with a background in philosophy and women\u27s studies, Vigier focuses here on ways that ...
This two-volume collection includes perspectives on unusual topics and original perspectives on well...
Gitelman (emer., Rutgers Univ.) offers a detailed account of the summer dance program directed by Ho...
In this, her first book, Kolcio (dance, Wesleyan Univ.) focuses on the founding of six major America...
Teck explores the creation and performance of music for ballet, modern concert dance, and musical th...
Noland (French and comparative literature, Univ. of California, Irvine) has written numerous books, ...
Foster (Univ. of California, Riverside), author of the critically acclaimed Reading Dancing (CH, Apr...
With this book, her first, Harris (Univ. of Wisconsin, Madison) makes an important contribution to a...
Agnes De Mille is an important American choreographer in both ballet (works such as Rodeo and Fall R...
At the end of the nineteenth century and during the first half of the twentieth, lead dancers from d...