The musical motives of a song emerge from the temporal arrangement of discrete tones. These tones normally have few durational values, and are organized in structured groups to create metrical patterns. In the present study we show that the ability to detect the rhythmic structure of a song, while ignoring surface changes, is also present in other species. We familiarized rats (Rattus norvegicus) with an excerpt of the Happy Birthday song. During test, we presented the animals with (i) the same excerpt of the familiarization, (ii) a constant-pitch version of the excerpt that reduced melodic intervals to only one tone (i.e., isotonic) but preserved rhythmic structure, and (iii) a rhythmically scrambled version of the excerpt that preserved t...
Rhythm is a prominent feature of music. Of the infinite possible ways of organizing events in time, ...
This paper outlines a cognitive and comparative perspective on human rhythmic cognition that emphasi...
SummaryThe tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot ...
Rhythmic behaviour is ubiquitous in both human and non-human animals, but it is unclear whether the ...
Document presentat a: the 12th International Conference on the Evolution of Language (Evolang12), c...
Recently, interest has been growing in investigating rhythm cognition and behavior in nonhuman anima...
Abstract: The recent discovery of spontaneous synchronization to music in a nonhuman animal (the sul...
The recent discovery of spontaneous synchronization to music in a nonhuman animal (the sulphur-crest...
One universal of human music perception is the tendency to move in synchrony with a periodic beat (e...
A central goal of biomusicology is to understand the biological basis of human musicality. One appro...
Rhythm perception is fundamental to speech and music. Humans readily recognize a rhythmic pattern, s...
Researchers studying the emotional impact of music have not traditionally been concerned with the pr...
Consonance is a salient perceptual feature in harmonic music associated with pleasantness. Besides b...
Why does human speech have rhythm? As we cannot travel back in time to witness how speech developed ...
Why does human speech have rhythm? As we cannot travel back in time to witness how speech developed ...
Rhythm is a prominent feature of music. Of the infinite possible ways of organizing events in time, ...
This paper outlines a cognitive and comparative perspective on human rhythmic cognition that emphasi...
SummaryThe tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot ...
Rhythmic behaviour is ubiquitous in both human and non-human animals, but it is unclear whether the ...
Document presentat a: the 12th International Conference on the Evolution of Language (Evolang12), c...
Recently, interest has been growing in investigating rhythm cognition and behavior in nonhuman anima...
Abstract: The recent discovery of spontaneous synchronization to music in a nonhuman animal (the sul...
The recent discovery of spontaneous synchronization to music in a nonhuman animal (the sulphur-crest...
One universal of human music perception is the tendency to move in synchrony with a periodic beat (e...
A central goal of biomusicology is to understand the biological basis of human musicality. One appro...
Rhythm perception is fundamental to speech and music. Humans readily recognize a rhythmic pattern, s...
Researchers studying the emotional impact of music have not traditionally been concerned with the pr...
Consonance is a salient perceptual feature in harmonic music associated with pleasantness. Besides b...
Why does human speech have rhythm? As we cannot travel back in time to witness how speech developed ...
Why does human speech have rhythm? As we cannot travel back in time to witness how speech developed ...
Rhythm is a prominent feature of music. Of the infinite possible ways of organizing events in time, ...
This paper outlines a cognitive and comparative perspective on human rhythmic cognition that emphasi...
SummaryThe tendency to move in rhythmic synchrony with a musical beat (e.g., via head bobbing, foot ...