Fright fascinates children

Grozljivke so žanr, ki se močno nanaša na gledalčev odziv in njegovo reflektiranje čustev. Po definiciji filozofa Noëla Carrola grozljivke vsebujejo pošasti, ki so ustvarjene s pomočjo petih različnih načinov, imajo pa tudi svoje lastne zgodbovne faze dogajanja. Če se nanašamo na njihov obstoj v filmski industriji, so stare 125 let, v njih pa zaradi različnih razlogov uživajo tako odrasli kot otroci. Slednji predvsem zaradi svoje večje radovednosti in družbenih motivacij. Otroške grozljivke so prilagojene verzije grozljivk za odraslo občinstvo, vendar se morajo pri njih uporabljati lajšalna sredstva za omiljevanje preintenzivnih vsebin. Otroške grozljivke so prav tako mlajše, njihovo ustvarjanje in popularnost sta se pričela šele po vzpostavitvi ocenjevalnih sistemov ob koncu šestdesetih let. Moj animirani film Elsie je bil ustvarjen pred raziskavo, predstavljeno v pričujočem delu, analizi tega filma kot grozljivki in otroški grozljivki pa je posvečeno tretje poglavje raziskave.Horror is a genre which strongly depends on its audience\u27s response and its reflections of emotions. According to philosopher Noël Carrol, horror includes monsters, created in five different ways, and also has its own story plot movements and phases. If we look at its history in the film industry, it is about a one hundred twenty-five years old and is, for different reasons, enjoyed by adults and children alike. Children enjoy horror because of their enhanced curiosity and social motivations. Children\u27s horror is an adapted version of horror meant for adults, created with the help of mitigating techniques. Children\u27s horror film is also younger, its creation and popularity came into the picture after the introduction of the rating systems in the late sixties. My animated film Elsie was made before the research presented in this written work, the third chapter is therefore an analysis of that film as a horror and children\u27s horror film