UID/HIS/04666/2019This paper discusses why, by its own nature, colonial press needs to be thought of as international common archives that convoke particular clusters of countries, even if they transport a more global interest.publishersversionpublishe
Colonial archives constituted a technology that enabled the collection, storage, ordering, retrieval...
The colonial is thus the blind spot upon which the modern conceptions of knowledge and law are built...
The author, speaking as a Mozambican researcher living and working in Portugal, examines the differe...
UID/HIS/04666/2019This paper aims to reflect on the editoral project of Colecção Imbondeiro, from 19...
This paper is about tourism, visual culture, and imperialism in the post-colonial present. Internat...
The preservation of a victory can be lost very quickly if it is not remembered and idealized to futu...
The article describes the history and activities of the 25th of April Documentation Centre (CD25A), ...
The pervasiveness of images of black women’s unclothed bodies in the Portuguese colonial visual arc...
[Excerto] O aniversário dos quarenta anos das independências africanas é o pretexto para analisar co...
This paper seeks to explore the impact of digital technologies upon the material, conceptual and ide...
© 2020 The Authors This paper argues that more explicitly geographical methodologies are required to...
"The e-publication Decolonising Archives aims to show how archives bear testimony to what was, even ...
A major objective of early exhibitions during the Estado Novo was to project an image of universal s...
This article will discuss the intercultural, collaborative art project Les Archives Suédoises, which...
Critical review of a research book on the visual representation of the Portuguese Colonies in Africa
Colonial archives constituted a technology that enabled the collection, storage, ordering, retrieval...
The colonial is thus the blind spot upon which the modern conceptions of knowledge and law are built...
The author, speaking as a Mozambican researcher living and working in Portugal, examines the differe...
UID/HIS/04666/2019This paper aims to reflect on the editoral project of Colecção Imbondeiro, from 19...
This paper is about tourism, visual culture, and imperialism in the post-colonial present. Internat...
The preservation of a victory can be lost very quickly if it is not remembered and idealized to futu...
The article describes the history and activities of the 25th of April Documentation Centre (CD25A), ...
The pervasiveness of images of black women’s unclothed bodies in the Portuguese colonial visual arc...
[Excerto] O aniversário dos quarenta anos das independências africanas é o pretexto para analisar co...
This paper seeks to explore the impact of digital technologies upon the material, conceptual and ide...
© 2020 The Authors This paper argues that more explicitly geographical methodologies are required to...
"The e-publication Decolonising Archives aims to show how archives bear testimony to what was, even ...
A major objective of early exhibitions during the Estado Novo was to project an image of universal s...
This article will discuss the intercultural, collaborative art project Les Archives Suédoises, which...
Critical review of a research book on the visual representation of the Portuguese Colonies in Africa
Colonial archives constituted a technology that enabled the collection, storage, ordering, retrieval...
The colonial is thus the blind spot upon which the modern conceptions of knowledge and law are built...
The author, speaking as a Mozambican researcher living and working in Portugal, examines the differe...
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