This thesis examines the conditions for professional and aspiring professional male theatre dancers across two separate field sites in Stockholm, Sweden. By analysing these conditions I aim to discuss how hegemonic masculine social norms inform and affect the lives of these male dancers and the consequences of those norms for the wider male population. Through interview, unobtrusive observation and dance participation I will scrutinise the male experience of dance work and training in order to understand the lives of professional male dancers and their perception of themselves and their work, as part of a very small minority of men in Swedish society. Through a comparative analysis of dance and sport, I suggest that the stark gender imbalan...
The purpose of this paper is to obtain more knowledge of primary-school boys' attitudes toward dance...
Within the dance world, gender (as a binary concept) appears to be central to lived experience. Whil...
The phenomenon of 'new dance' has received little sustained study, either in terms of its own histor...
This thesis examines the conditions for professional and aspiring professional male theatre dancers ...
This is a sociological study of gender and sexualities in the context of professional dance in Scot...
This diploma thesis examines current phenomenon of pole dance/sport. This activity which was origina...
Studies suggest that feminised and female-concentrated contexts provide men with opportunities to ch...
Dance research has acknowledged that males in theatrical dance are subject to social prejudices. In ...
The aim of the dissertation is to describe and analyze the practice and meaning of Middle Eastern da...
In sport, as in society, men and women face different expectations related to their gender roles. Th...
Based on a multi-sited ethnography on Western theatrical dance, the article focuses on the “problem ...
Within the dance world, gender appears to be central to lived experience. Whilst males may be the mi...
Historically, dance has been considered an activity less desirable for boys. Social constructs have ...
Dance has for a long time been regarded as a feminine domain, which has resulted in a pitiable numbe...
While dance has always been as demanding as contact sports, intuitive boundaries distinguish the two...
The purpose of this paper is to obtain more knowledge of primary-school boys' attitudes toward dance...
Within the dance world, gender (as a binary concept) appears to be central to lived experience. Whil...
The phenomenon of 'new dance' has received little sustained study, either in terms of its own histor...
This thesis examines the conditions for professional and aspiring professional male theatre dancers ...
This is a sociological study of gender and sexualities in the context of professional dance in Scot...
This diploma thesis examines current phenomenon of pole dance/sport. This activity which was origina...
Studies suggest that feminised and female-concentrated contexts provide men with opportunities to ch...
Dance research has acknowledged that males in theatrical dance are subject to social prejudices. In ...
The aim of the dissertation is to describe and analyze the practice and meaning of Middle Eastern da...
In sport, as in society, men and women face different expectations related to their gender roles. Th...
Based on a multi-sited ethnography on Western theatrical dance, the article focuses on the “problem ...
Within the dance world, gender appears to be central to lived experience. Whilst males may be the mi...
Historically, dance has been considered an activity less desirable for boys. Social constructs have ...
Dance has for a long time been regarded as a feminine domain, which has resulted in a pitiable numbe...
While dance has always been as demanding as contact sports, intuitive boundaries distinguish the two...
The purpose of this paper is to obtain more knowledge of primary-school boys' attitudes toward dance...
Within the dance world, gender (as a binary concept) appears to be central to lived experience. Whil...
The phenomenon of 'new dance' has received little sustained study, either in terms of its own histor...