Panel discussion was under the topic, Childhood and Self. Conference Description A Single Drop of Ink for a Mirror: A Symposium on Nineteenth-Century Literature and the Visual Arts will afford an opportunity for scholars in different fields to come together to address new directions in interdisciplinary studies of literature and the visual arts. The conference is open to the public and will center around the papers and presentations of twenty-one principal interlocutors. Our list of speakers includes scholars at various stages of their careers, from leaders in the field to advanced graduate students. The conference will also be accompanied by a small exhibition at the Princeton Art Museum, curated by Rosalind Parry and Ariel Kline. Caroline...
Panel Chair: Sean Ferrier-Watson, Collin College Our panel will explore various issued related to ch...
Revising History was a two-part programme comprising: 1: Three exhibitions of new moving image wor...
This chapter discusses the uses of fiction as a critical tool for 'reading' art. This book is the...
This conference explores illustration and narrative art as domain. Examining the contrasting places ...
This is a report of the symposium held in Homerton Collenge of the University of Cambridge on May 10...
Brief Description: This symposium was established by Dr. Alistair Payne and Maggie Ayliffe in ord...
This unique exhibition presents a selection of folios from Bradford's print collection featuring: li...
The digital event builds on the research experience of four speakers who have been engaged in differ...
As convenor of this one day international symposium at the Royal Academy of Arts, I sought to bring ...
Painting Childhood: From Holbein to Freud Children have always fascinated artists. This was a cel...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
This two-day program at MoMA brings together artists, art historians, scholars, critics, writers, an...
This extensively illustrated book is a collection of the papers given at the 2007 annual conference ...
Ozias Humphry, Rice Portrait of Jane Austen, 1788, huile sur toile, collection particulière. Type : ...
Conference organisation/chairing and presentation paper. One-day symposium event at the Institute of...
Panel Chair: Sean Ferrier-Watson, Collin College Our panel will explore various issued related to ch...
Revising History was a two-part programme comprising: 1: Three exhibitions of new moving image wor...
This chapter discusses the uses of fiction as a critical tool for 'reading' art. This book is the...
This conference explores illustration and narrative art as domain. Examining the contrasting places ...
This is a report of the symposium held in Homerton Collenge of the University of Cambridge on May 10...
Brief Description: This symposium was established by Dr. Alistair Payne and Maggie Ayliffe in ord...
This unique exhibition presents a selection of folios from Bradford's print collection featuring: li...
The digital event builds on the research experience of four speakers who have been engaged in differ...
As convenor of this one day international symposium at the Royal Academy of Arts, I sought to bring ...
Painting Childhood: From Holbein to Freud Children have always fascinated artists. This was a cel...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
This two-day program at MoMA brings together artists, art historians, scholars, critics, writers, an...
This extensively illustrated book is a collection of the papers given at the 2007 annual conference ...
Ozias Humphry, Rice Portrait of Jane Austen, 1788, huile sur toile, collection particulière. Type : ...
Conference organisation/chairing and presentation paper. One-day symposium event at the Institute of...
Panel Chair: Sean Ferrier-Watson, Collin College Our panel will explore various issued related to ch...
Revising History was a two-part programme comprising: 1: Three exhibitions of new moving image wor...
This chapter discusses the uses of fiction as a critical tool for 'reading' art. This book is the...