International audienceOver the past thirty years or so, the iconographic corpus of ethnic tattoo designs has increasingly been used as an efficient, non-discursive way of expressing indigeneity, commitment, belonging, strength, etc. While they are detached from their original destination (the human skin) and due to their primal connection with the body, tattoo designs have an iconic power which rests on a process of naturalization. Their evocative strength together with their high portability tends to an exploitation of their power through a multitude of media. In this paper I will rely on the Samoan tattooed images to address the process of iconicity by downplaying their discursive meaning. To the extent that Samoan tattooing combines a hi...
International audienceOnce spread throughout the Austronesian linguistic area, the hand-tapping tech...
In the Polynesian Triangle the body was the main focus of visual and material expression of hierarch...
This article questions certain practices in postcolonial criticism, asking whether such criticism is...
International audienceOver the past thirty years or so, the iconographic corpus of ethnic tattoo des...
International audienceWithin the last thirty years or so, iconographic corpus of ethnic tattoo desig...
Male and female Samoan tattooing has always signified one’s perseverance and ability to withstand th...
International audienceAs a contribution to the much debated problem of ritual efficacy, this article...
This thesis examines Polynesian tribal tattooing, focusing on the Maori of New Zealand and the Samoa...
Typescript.Bibliography: [131]-137.Microfilm.iv, [2], 137 leaves illustrations, tables (1 folded)Thi...
ABSTRACT Micro-Polynesia is the cultural center of the art form of tattooing. Although there was a p...
This paper examines a range of problems centring on the theorization of cultural identity and cultur...
Skin ornamentation is a universal human practice, whether by painting, incising, burning or tattooin...
<p>In New Zealand there is a strand of cultural memory popularly known as 'kiwiana'. The term embrac...
À la fois pratique rituelle, objet d’échange et bien de prestige inaliénable, le tatouage samoan est...
The art of tattooing and the dissemination of its material output as far afield as Europe forged a p...
International audienceOnce spread throughout the Austronesian linguistic area, the hand-tapping tech...
In the Polynesian Triangle the body was the main focus of visual and material expression of hierarch...
This article questions certain practices in postcolonial criticism, asking whether such criticism is...
International audienceOver the past thirty years or so, the iconographic corpus of ethnic tattoo des...
International audienceWithin the last thirty years or so, iconographic corpus of ethnic tattoo desig...
Male and female Samoan tattooing has always signified one’s perseverance and ability to withstand th...
International audienceAs a contribution to the much debated problem of ritual efficacy, this article...
This thesis examines Polynesian tribal tattooing, focusing on the Maori of New Zealand and the Samoa...
Typescript.Bibliography: [131]-137.Microfilm.iv, [2], 137 leaves illustrations, tables (1 folded)Thi...
ABSTRACT Micro-Polynesia is the cultural center of the art form of tattooing. Although there was a p...
This paper examines a range of problems centring on the theorization of cultural identity and cultur...
Skin ornamentation is a universal human practice, whether by painting, incising, burning or tattooin...
<p>In New Zealand there is a strand of cultural memory popularly known as 'kiwiana'. The term embrac...
À la fois pratique rituelle, objet d’échange et bien de prestige inaliénable, le tatouage samoan est...
The art of tattooing and the dissemination of its material output as far afield as Europe forged a p...
International audienceOnce spread throughout the Austronesian linguistic area, the hand-tapping tech...
In the Polynesian Triangle the body was the main focus of visual and material expression of hierarch...
This article questions certain practices in postcolonial criticism, asking whether such criticism is...