In this paper we propose and estimate a model of theater participation using the data contained in the 2002 Survey of Public Participation in the Arts from the USA, a dataset widely used to study the determinants of cultural participation. Our contribution relies on the use of an estimation technique that respects the count data nature of the attendance variable (number of theater performances that an individual attended) and allows for heterogeneous behavior. By using a Zero Inflated Negative Binomial Model, we can characterize two distinct behaviors for the observable attendance: a group of never-goers (who never participate) and a subpopulation that has a positive probability of attending. For this latter group, we can estimate the effec...
Do ticketing data and national survey data on attendance tell the same story? This question is parti...
Presents findings from a national survey of 1,231 Americans. Examines the motivations and expectatio...
This article analyses the behavioural choice for theatre tickets using a rich data set for 2010–2013...
Cultural participation, Theater attendance, Cultural capital, Zero Inflated Negative Binomial Model,
We study the determinants of the demand of cultural goods using two different approaches. Starting b...
A first version of this paper was presented at the University of Catania, 2011 and at the fifth Euro...
This paper examines theatre participation in Italy over the period 1995–2006. Explanatory variables ...
While audience and participation surveys, as well as econometric demand studies, generally confirm t...
Research findings report of CURRENTLY COHABITING: Relationship Intentions and Attitudes project. A p...
Arts attendance in England has, in recent decades, been the subject of several surveys focusing on h...
This paper examines to what extent art education, prices and standard socio-economic characteristics...
The present work offers a study exploring University of Seville students’ cultural participation an...
En este trabajo se analizan los determinantes de la asistencia a espectáculos de artes escénicas en ...
We develop a model of theatre demand with learning by consuming, and test some of its implications o...
This paper deals with unit nonresponse in audience research in theatres. Audience research in theatr...
Do ticketing data and national survey data on attendance tell the same story? This question is parti...
Presents findings from a national survey of 1,231 Americans. Examines the motivations and expectatio...
This article analyses the behavioural choice for theatre tickets using a rich data set for 2010–2013...
Cultural participation, Theater attendance, Cultural capital, Zero Inflated Negative Binomial Model,
We study the determinants of the demand of cultural goods using two different approaches. Starting b...
A first version of this paper was presented at the University of Catania, 2011 and at the fifth Euro...
This paper examines theatre participation in Italy over the period 1995–2006. Explanatory variables ...
While audience and participation surveys, as well as econometric demand studies, generally confirm t...
Research findings report of CURRENTLY COHABITING: Relationship Intentions and Attitudes project. A p...
Arts attendance in England has, in recent decades, been the subject of several surveys focusing on h...
This paper examines to what extent art education, prices and standard socio-economic characteristics...
The present work offers a study exploring University of Seville students’ cultural participation an...
En este trabajo se analizan los determinantes de la asistencia a espectáculos de artes escénicas en ...
We develop a model of theatre demand with learning by consuming, and test some of its implications o...
This paper deals with unit nonresponse in audience research in theatres. Audience research in theatr...
Do ticketing data and national survey data on attendance tell the same story? This question is parti...
Presents findings from a national survey of 1,231 Americans. Examines the motivations and expectatio...
This article analyses the behavioural choice for theatre tickets using a rich data set for 2010–2013...