Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples per singer: a sung [a] held without vibrato; a sung a[ held with vibrato; a self-selected passage and an imposed passage. In the first part, they ticked the type of oscillations (vibrato, straight tone, tremolo, quivering...). In the second part, they appraised various criteria. Intra-judge and inter-judge consistencies were determined. The subjective parameters were thereafter correlated with the measurements of six parameters of the MDVP (MultiDimentional Voice Program). The measurements were carried out on each task. Intra-judge consistency was good for only one judge (67-87% consistency). Since judge 2 and 3 were hardly reproducible (45-...
This study is concerned with the production of the vibrato on the violin, viola, and violincello. Co...
The purpose of this study was to ascertain the role of chance, or consistency, in determining the ra...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
This study examined the association between acoustic and perceptual data related to vibrato in Weste...
When timbre of singing voice is concerned, knowledge has been achieved practically, but recently the...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
Introduction The obvious perceptual differences between various singing styles like Western operati...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
This work presents a statistical study of vibrato parameters in soprano voices. More than one hundre...
Even though a vast number of tools exist for real time voice analyses, only a limited number of them...
The purpose of this study was to determine the effect of vibrato on the pitch-matching accu-racy of ...
The purpose of this study was to investigate the effects of vibrato and pitch-varied vocal models on...
The aim of this project is to help collegiate vocalists reconcile opposing views of applying vibrato...
The vibrato rate for ten singers, all singing Schubert's Ave Maria, was measured on sonograms. ...
This study is concerned with the production of the vibrato on the violin, viola, and violincello. Co...
The purpose of this study was to ascertain the role of chance, or consistency, in determining the ra...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
This study examined the association between acoustic and perceptual data related to vibrato in Weste...
When timbre of singing voice is concerned, knowledge has been achieved practically, but recently the...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
Introduction The obvious perceptual differences between various singing styles like Western operati...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
This work presents a statistical study of vibrato parameters in soprano voices. More than one hundre...
Even though a vast number of tools exist for real time voice analyses, only a limited number of them...
The purpose of this study was to determine the effect of vibrato on the pitch-matching accu-racy of ...
The purpose of this study was to investigate the effects of vibrato and pitch-varied vocal models on...
The aim of this project is to help collegiate vocalists reconcile opposing views of applying vibrato...
The vibrato rate for ten singers, all singing Schubert's Ave Maria, was measured on sonograms. ...
This study is concerned with the production of the vibrato on the violin, viola, and violincello. Co...
The purpose of this study was to ascertain the role of chance, or consistency, in determining the ra...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...