This research examines, across 2 studies, the interplay between the valence and arousal components of affective states and the affective tone of a target ad. In the first study, music was used to induce a pleasant or unpleasant mood, while controlling for arousal. Participants were subsequently exposed to an ad that either had a positive-affective tone or was ambiguous in its affective tone. As predicted, the valence of the affective state colored the evaluation of the ad in a mood-congruent direction, but this coloring effect occurred only when the ad had an ambiguous-affective tone. In the second study, the target ad had a clear positive or negative affective tone, and the valence and arousal dimensions of the mood state were manipulated ...
The affect-as-information framework posits that affect is embodied information about value and impor...
This research examined the effects of music-prompted emotional valence and arousal on psychophysiolo...
The present study examined the link between affect and auditory stimuli in three parts. The first so...
This research examines, across 2 studies, the interplay between the valence and arousal components o...
This research examines, across 2 studies, the interplay between the valence and arousal compo-nents ...
Purpose: The purpose of this paper is to investigate the effects of pre-existing mood valence, mood ...
Past consumer research on mood has focused mainly on the impact of pre-processing mood on attitude f...
A recent study demonstrated that observers' ability to identify targets in a rapid visual sequence w...
Music is omnipresent in consumer environments and is classifiable by multi-dimensional measures of a...
Item does not contain fulltextEvaluative conditioning involves pairing neutral stimuli with positive...
The presence of music is a visceral part of the human experience and its influence on cognitive func...
Olivers & Niewenhuis (2005) reported that observers were better able to identify targets in a ra...
This article examines how consumers ’ preferences are affected by the interplay between their level ...
A listener’s propensity to perceive affect as expressed by music can arise from factors such as acou...
A listener’s propensity to perceive affect as expressed by music can arise from factors such as acou...
The affect-as-information framework posits that affect is embodied information about value and impor...
This research examined the effects of music-prompted emotional valence and arousal on psychophysiolo...
The present study examined the link between affect and auditory stimuli in three parts. The first so...
This research examines, across 2 studies, the interplay between the valence and arousal components o...
This research examines, across 2 studies, the interplay between the valence and arousal compo-nents ...
Purpose: The purpose of this paper is to investigate the effects of pre-existing mood valence, mood ...
Past consumer research on mood has focused mainly on the impact of pre-processing mood on attitude f...
A recent study demonstrated that observers' ability to identify targets in a rapid visual sequence w...
Music is omnipresent in consumer environments and is classifiable by multi-dimensional measures of a...
Item does not contain fulltextEvaluative conditioning involves pairing neutral stimuli with positive...
The presence of music is a visceral part of the human experience and its influence on cognitive func...
Olivers & Niewenhuis (2005) reported that observers were better able to identify targets in a ra...
This article examines how consumers ’ preferences are affected by the interplay between their level ...
A listener’s propensity to perceive affect as expressed by music can arise from factors such as acou...
A listener’s propensity to perceive affect as expressed by music can arise from factors such as acou...
The affect-as-information framework posits that affect is embodied information about value and impor...
This research examined the effects of music-prompted emotional valence and arousal on psychophysiolo...
The present study examined the link between affect and auditory stimuli in three parts. The first so...