The subject of this text is the novel History of the World in 10 ½ Chapters by the British author Julian Barnes, interpreted through the prism of some of the constitutive features of historiographic metafiction. Specifically, interpretative focus is on a novelistic interest in history, seen as intertext, and consequently, over the interpretation of intertextual procedures and their functions not only in the context of this novel, but in the wider context of meta - historiographical trends in historiographic metafiction and in the context of the postmodern poetics characteristics
Geschichts- und Literaturwissenschaft, verstanden als Spezialdiskurse, stehen, so die an dieser Stel...
This essay is devoted to the phenomenon of intertextuality as an essential aspect of text generation...
History, though it can be revived, rewritten and altered, always functions as a source of inspiriati...
Background: The 21st century is marked by a drastic development of computer technology, which caused...
Julian Barnes’ novels have often been studied within the field of postmodernism and ‘historiographic...
The objective of this dissertation is to explore the theme of memory and its impact on how we tend t...
The dissertation focuses on the contemporary British fiction discussing books that in a certain way ...
This article compares British novelist Julian Barnes’s novel A History of the World in 10½ Chapters ...
The treatment of history as discourse in the novels of John Barth, Thomas Pynchon, and Robert Coover...
Throughout employing the historiographicmetafiction technique, the current manuscript presents a clo...
This book proposes to analyze the concept of blurring as one of the characteristic features of postm...
This study investigates the role of intertextuality in the metacritical commentary and experimental ...
The historical novel has been shaped by and was actively involved in the construction of dominant cu...
This paper intends to explore the relationship between history and fiction in the novel A History of...
‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Lind...
Geschichts- und Literaturwissenschaft, verstanden als Spezialdiskurse, stehen, so die an dieser Stel...
This essay is devoted to the phenomenon of intertextuality as an essential aspect of text generation...
History, though it can be revived, rewritten and altered, always functions as a source of inspiriati...
Background: The 21st century is marked by a drastic development of computer technology, which caused...
Julian Barnes’ novels have often been studied within the field of postmodernism and ‘historiographic...
The objective of this dissertation is to explore the theme of memory and its impact on how we tend t...
The dissertation focuses on the contemporary British fiction discussing books that in a certain way ...
This article compares British novelist Julian Barnes’s novel A History of the World in 10½ Chapters ...
The treatment of history as discourse in the novels of John Barth, Thomas Pynchon, and Robert Coover...
Throughout employing the historiographicmetafiction technique, the current manuscript presents a clo...
This book proposes to analyze the concept of blurring as one of the characteristic features of postm...
This study investigates the role of intertextuality in the metacritical commentary and experimental ...
The historical novel has been shaped by and was actively involved in the construction of dominant cu...
This paper intends to explore the relationship between history and fiction in the novel A History of...
‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Lind...
Geschichts- und Literaturwissenschaft, verstanden als Spezialdiskurse, stehen, so die an dieser Stel...
This essay is devoted to the phenomenon of intertextuality as an essential aspect of text generation...
History, though it can be revived, rewritten and altered, always functions as a source of inspiriati...