Add to ORKGThis 10,000-word chapter traces the genealogy of a single French haute couture dress by Jean Patou from its design in 1925 to its current home in the archives of the Metropolitan Museum of Art New York, linking object biography to wider narratives of national identity. The research asks how a close reading of a single object can yield insights into more extensive questions of culture, commerce and ideology
This book provided an original account of the phenomenon of western fashion in the period of late mo...
Paris has long been established as a dominant player in the field of fashion. Yet one of its most im...
This paper examines the influence of urban fashion ideas disseminated worldwide from France and how ...
In December 1924 the couturier Jean Patou brought six American fashion models from New York to Paris...
Paris 1947 is the site of one of twentieth century fashion’s fictive highpoints. The New Look combin...
In the early 20th century, the desire to see clothing in motion flourished on both sides of the Atla...
Title from PDF of title page (University of Missouri--Columbia, viewed on March 29, 2011).The entire...
“Like art itself, haute couture plunged into a process of ruptures, escalations, and profound change...
This book examines, contextualizes and privileges the couturière’s creative output, over the course ...
In her article Early Twentieth-century Fashion Designer Life Writing, Ilya Parkins examines memoir...
International audiencePresented between 1944 and 1945, the exhibition Are Clothes Modern ? at the Mu...
University of Technology Sydney. Faculty of Design, Architecture and Building.NO FULL TEXT AVAILABLE...
Situating the fashion show in the context of modernism, my research links the first fashion shows to...
This study explores how the French luxury fashion house, Dior has mobilised its power over a 70 year...
With an introduction by Christopher Breward, Professor Evans presented her research on modernism and...
This book provided an original account of the phenomenon of western fashion in the period of late mo...
Paris has long been established as a dominant player in the field of fashion. Yet one of its most im...
This paper examines the influence of urban fashion ideas disseminated worldwide from France and how ...
In December 1924 the couturier Jean Patou brought six American fashion models from New York to Paris...
Paris 1947 is the site of one of twentieth century fashion’s fictive highpoints. The New Look combin...
In the early 20th century, the desire to see clothing in motion flourished on both sides of the Atla...
Title from PDF of title page (University of Missouri--Columbia, viewed on March 29, 2011).The entire...
“Like art itself, haute couture plunged into a process of ruptures, escalations, and profound change...
This book examines, contextualizes and privileges the couturière’s creative output, over the course ...
In her article Early Twentieth-century Fashion Designer Life Writing, Ilya Parkins examines memoir...
International audiencePresented between 1944 and 1945, the exhibition Are Clothes Modern ? at the Mu...
University of Technology Sydney. Faculty of Design, Architecture and Building.NO FULL TEXT AVAILABLE...
Situating the fashion show in the context of modernism, my research links the first fashion shows to...
This study explores how the French luxury fashion house, Dior has mobilised its power over a 70 year...
With an introduction by Christopher Breward, Professor Evans presented her research on modernism and...
This book provided an original account of the phenomenon of western fashion in the period of late mo...
Paris has long been established as a dominant player in the field of fashion. Yet one of its most im...
This paper examines the influence of urban fashion ideas disseminated worldwide from France and how ...