Interpreting legacy as a system of signs and images, this volume questions the notions of ‘backwardness’ or ‘progress’, which undoubtedly have marked the common perception of the Ottoman and Habsburg heritage in Southeast Europe. This perception is heavily relied on the ideological and political context of its use and abuse, where a legacy, as a system of images, becomes a signifier of particular ideas and values. Interpreting the already well-known imagery of both imperial this volume is to be credited for questioning rather stereotypical interpretations of the Ottoman and Habsburg imperial legacies in Southeast Europe, generally temporalized and valued according to the barbarian versus civilized dichotomy. The role of visual culture in th...
Illustrated histories were never merely products of simple literal activities at the Ottoman court. ...
“Celebrating the Orient”: the Ottoman Turks in prints and public festivities of the Habsburg Netherl...
This study is a preliminary attempt to chart out the manifold ways Ottomans envisioned and imagined ...
The theme of the Ottomans was in the Spanish and Austrian Netherlands a common topic in media such a...
When discussing South East Europe, the Ottoman Empire stands out in history asa prime candidate for ...
"Afterlife of Empire" explores Ottoman cultural, social, and political continuities in Bosnia Herzeg...
The article presents itself the way of looking for a strategy which would allow to actualize, analy...
'Europe' has no fixed geographical, historical, religious or cultural boundaries. Claims for the exi...
In the first part of the introductory text, I present a theoretical framework that places the att...
The article examines the archaeological aspect of the expansion of Western European powers (primaril...
The theme of the Ottomans was in the Spanish and Austrian Netherlands a common topic in media such a...
Illustrated histories were never merely products of simple literal activities at the Ottoman court. ...
Illustrated histories were never merely products of simple literal activities at the Ottoman court. ...
Current anthropological research on imperial legacies is scarce compared to the vogue of research on...
Constantinople, the capital of the Byzantine Empire, fell to the Ottomans on May 29, 1453, a date th...
Illustrated histories were never merely products of simple literal activities at the Ottoman court. ...
“Celebrating the Orient”: the Ottoman Turks in prints and public festivities of the Habsburg Netherl...
This study is a preliminary attempt to chart out the manifold ways Ottomans envisioned and imagined ...
The theme of the Ottomans was in the Spanish and Austrian Netherlands a common topic in media such a...
When discussing South East Europe, the Ottoman Empire stands out in history asa prime candidate for ...
"Afterlife of Empire" explores Ottoman cultural, social, and political continuities in Bosnia Herzeg...
The article presents itself the way of looking for a strategy which would allow to actualize, analy...
'Europe' has no fixed geographical, historical, religious or cultural boundaries. Claims for the exi...
In the first part of the introductory text, I present a theoretical framework that places the att...
The article examines the archaeological aspect of the expansion of Western European powers (primaril...
The theme of the Ottomans was in the Spanish and Austrian Netherlands a common topic in media such a...
Illustrated histories were never merely products of simple literal activities at the Ottoman court. ...
Illustrated histories were never merely products of simple literal activities at the Ottoman court. ...
Current anthropological research on imperial legacies is scarce compared to the vogue of research on...
Constantinople, the capital of the Byzantine Empire, fell to the Ottomans on May 29, 1453, a date th...
Illustrated histories were never merely products of simple literal activities at the Ottoman court. ...
“Celebrating the Orient”: the Ottoman Turks in prints and public festivities of the Habsburg Netherl...
This study is a preliminary attempt to chart out the manifold ways Ottomans envisioned and imagined ...