Add to ORKGMarlowe and the Popular Tradition turns away from popular stereotypes to consider Marlowe as a popular dramatist who inherited an audience with certain expectations and shared experiences. This work explores Marlowe's engagement with the traditions of the popular stage in the 1580's and early 1590's. It offers a new approach to his major plays in terms of staging and audience response, as well as providing a new account of the English drama in these important but largely neglected years
The purpose of this thesis is to examine the dramatic function of the Court Masque in the plays of W...
How subversive are the plays of Christopher Marlowe? While the playwright\u27s biography was certain...
To be intelligible to his age, a playwright must mirror and reflect the feelings and thoughts of the...
Sixteenth-century audiences expected to be spoken to. Direct address had always been part of their t...
Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of hi...
Focusing on the works of Christopher Marlowe (1564-93), this thesis explores the complex engagement ...
There was a revolution in the London playhouses in the late 1580s and early 1590s, and central to it...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
This article explores the significant role played by Christopher Marlowe in the development of natio...
The Cambridge Companion to Christopher Marlowe, first published in 2004, provides a full introductio...
457 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2005.Chapter One traces the creati...
International audienceWith its many rites of initiation (religious, educational, professional or sex...
This study attempts to follow the stage history of three of Marlowe's plays, Dr. Faustus, Edward II,...
In recent years, the 'Popular Shakespeare' phenomenon has become ever more pervasive: whether in fri...
The purpose of this study is to explain some of the major conventions and problems of the Elizabetha...
The purpose of this thesis is to examine the dramatic function of the Court Masque in the plays of W...
How subversive are the plays of Christopher Marlowe? While the playwright\u27s biography was certain...
To be intelligible to his age, a playwright must mirror and reflect the feelings and thoughts of the...
Sixteenth-century audiences expected to be spoken to. Direct address had always been part of their t...
Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of hi...
Focusing on the works of Christopher Marlowe (1564-93), this thesis explores the complex engagement ...
There was a revolution in the London playhouses in the late 1580s and early 1590s, and central to it...
In this paper, I shall be trying to investigate the nature of the English Renaissance drama through ...
This article explores the significant role played by Christopher Marlowe in the development of natio...
The Cambridge Companion to Christopher Marlowe, first published in 2004, provides a full introductio...
457 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2005.Chapter One traces the creati...
International audienceWith its many rites of initiation (religious, educational, professional or sex...
This study attempts to follow the stage history of three of Marlowe's plays, Dr. Faustus, Edward II,...
In recent years, the 'Popular Shakespeare' phenomenon has become ever more pervasive: whether in fri...
The purpose of this study is to explain some of the major conventions and problems of the Elizabetha...
The purpose of this thesis is to examine the dramatic function of the Court Masque in the plays of W...
How subversive are the plays of Christopher Marlowe? While the playwright\u27s biography was certain...
To be intelligible to his age, a playwright must mirror and reflect the feelings and thoughts of the...