In recent years, audiovisual archives, large and small, have been making their holdings accessible online and have started exploring a mix of models for revenue generation and what might be called knowhow generation through innovative partnerships with commercial and non-commercial institutions. This paper sheds light on the new ways that archives have been examining, appreciating, and even embracing business and commercial interactions in the digital age. It describes models and tools that have proven successful, and provides recommendations to help those who curate audiovisual heritage content appreciate and maximise better the value of their assets
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...
With the advent of end-to-end tapeless production and distribution, the whole concept of what it mea...
The basic problem of primary audio and video research materials is clearly shown by the survey: A gr...
In recent years, audiovisual archives, large and small, have been making their holdings accessible o...
In many parts of the audiovisual community the boundaries between the environments used for content ...
This document describes a PhD research track on the disclosure of audiovisual digital archives. The ...
This paper addresses the challenges related to the role and function of audiovisual archive institut...
[Excerpt:] My survey of local, national, and international audiovisual archival methods highlighted...
This paper presents work in the UK AVATAR-m project on how to specify and govern federated archive s...
Purpose The purpose of this paper is to analyze the business-to-consumer market for digital audiovis...
This paper presents ongoing work in PrestoSpace on how broadcast archives can plan large-scale, long...
The White Paper “Towards a New Audiovisual Think Tank for Audiovisual Archivists and Cultural Herita...
The proliferation of digital technologies has changed the way we perceive of and use audiovisual arc...
The first chapter of this status report gives an overview of technological developments that influen...
Audiovisual archives are the mnemonic records of the 20th and 21st centuries, the immense complexity...
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...
With the advent of end-to-end tapeless production and distribution, the whole concept of what it mea...
The basic problem of primary audio and video research materials is clearly shown by the survey: A gr...
In recent years, audiovisual archives, large and small, have been making their holdings accessible o...
In many parts of the audiovisual community the boundaries between the environments used for content ...
This document describes a PhD research track on the disclosure of audiovisual digital archives. The ...
This paper addresses the challenges related to the role and function of audiovisual archive institut...
[Excerpt:] My survey of local, national, and international audiovisual archival methods highlighted...
This paper presents work in the UK AVATAR-m project on how to specify and govern federated archive s...
Purpose The purpose of this paper is to analyze the business-to-consumer market for digital audiovis...
This paper presents ongoing work in PrestoSpace on how broadcast archives can plan large-scale, long...
The White Paper “Towards a New Audiovisual Think Tank for Audiovisual Archivists and Cultural Herita...
The proliferation of digital technologies has changed the way we perceive of and use audiovisual arc...
The first chapter of this status report gives an overview of technological developments that influen...
Audiovisual archives are the mnemonic records of the 20th and 21st centuries, the immense complexity...
We report the preliminary results of PrestoPRIME, an EU FP7 integrated project, including audiovisua...
With the advent of end-to-end tapeless production and distribution, the whole concept of what it mea...
The basic problem of primary audio and video research materials is clearly shown by the survey: A gr...