In the dominant and increasingly prevalent transnational narrative of 1968, the case of Northern Ireland has been marginalised. As well as explaining how such an erroneous absence is to be understood, this article, through the example of an ongoing project at Belfast’s Ulster Museum, will argue that the current post-Troubles context provides fertile terrain for a recalibration of how this period is remembered from both within and without. It is concluded that such a project offers potentially valuable lessons for handling the difficult question of the past in Northern Ireland and beyond
History, as an academic discipline, has traditionally focused more on conflict than on peace. Simila...
This article examines oral history interviews of migrants from Northern Ireland to Britain, specific...
The article investigates how three exhibitions represent the Irish participation in the Great War, c...
In the dominant and increasingly prevalent transnational narrative of 1968, the case of Northern Ire...
This article contributes to the debate on the increasingly prominent role of museums in the interpre...
International audienceThe function of museums as a medium to represent collective heritage is all th...
The ongoing over-sensitive relation between memory and politics in Northern Ireland has had an impac...
2018 marked the fiftieth anniversary of the seminal events of Northern Ireland’s 1968: a milestone o...
Sixteen years after the Good Friday Agreement, Northern Ireland remains a deeply segregated society....
The question of how to ‘deal’ with the past in post‐conflict Northern Ireland preoccupies public con...
Can history museums influence the relationship between divided communities? This paper explores why ...
Understanding the civil rights movement and the passions it aroused as an extension of Catholic comm...
This article offers a reflection on the potency of combining oral history and agonistic memory. Via ...
The article explores the production of historical narratives in two national museums, the National M...
Theoretical thesis.Bibliography: pages 89-98.1. Introduction -- 2. Violence and place in the early t...
History, as an academic discipline, has traditionally focused more on conflict than on peace. Simila...
This article examines oral history interviews of migrants from Northern Ireland to Britain, specific...
The article investigates how three exhibitions represent the Irish participation in the Great War, c...
In the dominant and increasingly prevalent transnational narrative of 1968, the case of Northern Ire...
This article contributes to the debate on the increasingly prominent role of museums in the interpre...
International audienceThe function of museums as a medium to represent collective heritage is all th...
The ongoing over-sensitive relation between memory and politics in Northern Ireland has had an impac...
2018 marked the fiftieth anniversary of the seminal events of Northern Ireland’s 1968: a milestone o...
Sixteen years after the Good Friday Agreement, Northern Ireland remains a deeply segregated society....
The question of how to ‘deal’ with the past in post‐conflict Northern Ireland preoccupies public con...
Can history museums influence the relationship between divided communities? This paper explores why ...
Understanding the civil rights movement and the passions it aroused as an extension of Catholic comm...
This article offers a reflection on the potency of combining oral history and agonistic memory. Via ...
The article explores the production of historical narratives in two national museums, the National M...
Theoretical thesis.Bibliography: pages 89-98.1. Introduction -- 2. Violence and place in the early t...
History, as an academic discipline, has traditionally focused more on conflict than on peace. Simila...
This article examines oral history interviews of migrants from Northern Ireland to Britain, specific...
The article investigates how three exhibitions represent the Irish participation in the Great War, c...