This article examines reported direct speech embedded in narrative sections of Greek tragedy, analyzing the content of reported speeches, their metrical form, and the descriptions of their sound. Reported direct speech is revealed to be considerably restrained, even when it occurs in highly emotional contexts. This restraint is interesting, given the prevalence of non-linguistic cries in tragedy, and it is brought into particular relief by comparison with the descriptions of violent utterances that often precede or follow sections of direct speech. There is a discernible, though inconsistent, trend towards the loosening of this restraint in later Euripides
This paper presents some possible usus of the metrical information from Athenian dramatic texts. Aft...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy's subject ma...
Recent scholarship concerning gendered speech in Greek tragedy has posed the question whether tragic...
The messenger who reports important action that has occurred offstage is a familiar inhabitant of Gr...
In ancient Greek the line between direct and indirect discourse appears blurred. In this essay I exa...
The object of this thesis is to describe the features of laments in Aeschylus, Sophocles and Euripid...
A digital version of University of California Publications: Classical Studies, Volume 21 (1979).An i...
Among the ways of discourse representation, direct quotation is the most explicit form of inclusión ...
Direct Speech in Nonnus’ Dionysiaca is the first more extensive study of the use and functions of di...
The thesis reviews the techniques employed by Latin authors up to the second century A.D. to report ...
This paper is aimed at analysing Bacchylides’ narrative choices and the role played by and the effec...
This paper is concerned with the investigation of direct speech in Greek narratives. More specifical...
This thesis explores narrative theories and their application to ancient tragedy. It is divided into...
In the Poetics, Aristotle states that “pathos is a destructive or painful deed, such as deaths on st...
peer reviewedThis article proposes a study of the speech of Medea in Euripides’ Medea in comparison ...
This paper presents some possible usus of the metrical information from Athenian dramatic texts. Aft...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy's subject ma...
Recent scholarship concerning gendered speech in Greek tragedy has posed the question whether tragic...
The messenger who reports important action that has occurred offstage is a familiar inhabitant of Gr...
In ancient Greek the line between direct and indirect discourse appears blurred. In this essay I exa...
The object of this thesis is to describe the features of laments in Aeschylus, Sophocles and Euripid...
A digital version of University of California Publications: Classical Studies, Volume 21 (1979).An i...
Among the ways of discourse representation, direct quotation is the most explicit form of inclusión ...
Direct Speech in Nonnus’ Dionysiaca is the first more extensive study of the use and functions of di...
The thesis reviews the techniques employed by Latin authors up to the second century A.D. to report ...
This paper is aimed at analysing Bacchylides’ narrative choices and the role played by and the effec...
This paper is concerned with the investigation of direct speech in Greek narratives. More specifical...
This thesis explores narrative theories and their application to ancient tragedy. It is divided into...
In the Poetics, Aristotle states that “pathos is a destructive or painful deed, such as deaths on st...
peer reviewedThis article proposes a study of the speech of Medea in Euripides’ Medea in comparison ...
This paper presents some possible usus of the metrical information from Athenian dramatic texts. Aft...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy's subject ma...
Recent scholarship concerning gendered speech in Greek tragedy has posed the question whether tragic...