The purpose of this paper is to examine the professional culture of television marketing in the UK, the sector of arts marketing responsible for the vast majority of programme trailers and channel promos seen on British television screens. In research approach, it draws on participant observation at Promax UK, the main trade conference and award ceremony of the television marketing community. Developing John Caldwell’s analysis of the cultural practices of worker groups, it uses Promax as site of study itself, exploring how a key trade gathering forges, legitimates and ritualizes the identity and practice of those involved in television marketing. Its findings show how Promax transmits industrial lore, not only about ‘how to do’ the job of ...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
This article builds on a legal institutionalist approach to assess market-based regulatory change in...
The purpose of this paper is to examine the professional culture of television marketing in the UK, ...
A key strategy of TV companies in the UK and US since the late 1990s, has been to create distinctive...
The rapid growth of promotional material through the internet, social media, and entertainment cultu...
This short commentary piece arises from completing an Arts and Humanities Research Council (AHRC)–fu...
This thesis explores the discourses of success within the Anglophone transatlantic television indust...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
This article analyzes the commissioning and production of arts television in the United Kingdom. It ...
The ritualistic nature of communication and work techniques in many occupational settings is often o...
Television audiences and fans are increasingly enrolled in the co-production of the television exper...
Recent technological and market changes in the television industry appear to have transformed the co...
Commercially successful ideas in the creative world are often imitated or adapted. Television format...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
This article builds on a legal institutionalist approach to assess market-based regulatory change in...
The purpose of this paper is to examine the professional culture of television marketing in the UK, ...
A key strategy of TV companies in the UK and US since the late 1990s, has been to create distinctive...
The rapid growth of promotional material through the internet, social media, and entertainment cultu...
This short commentary piece arises from completing an Arts and Humanities Research Council (AHRC)–fu...
This thesis explores the discourses of success within the Anglophone transatlantic television indust...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
This article analyzes the commissioning and production of arts television in the United Kingdom. It ...
The ritualistic nature of communication and work techniques in many occupational settings is often o...
Television audiences and fans are increasingly enrolled in the co-production of the television exper...
Recent technological and market changes in the television industry appear to have transformed the co...
Commercially successful ideas in the creative world are often imitated or adapted. Television format...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
This article builds on a legal institutionalist approach to assess market-based regulatory change in...