Examines the archival survival of the amateur travelog films made by Eleanor and Claudia Lea Phelps from 1923 to 1930. Argues that early twenty-first century interest in these materials testifies to archives’ heterotopian properties, as described by Michel Foucault in his 1967 essay “Of Other Spaces.” It follows that the aim of archival work should not be to preserve or recover the past, but to transform present day institutions and their relationships. Scholars of “women and the silent screen” are engaged in precisely this kind of activity
What are the gaps in current film histories? Who has been forgotten and why? How can we write histor...
none1noFor at least a decade, new research carried out by scholars involved in the Women Film Pionee...
Josephine Rector’s fleeting career in cinema is inseparable from the Essanay Film Manufacturing Comp...
Examines the archival survival of the amateur travelog films made by Eleanor and Claudia Lea Phelps ...
The rediscovery of the early cinema in the 1980s brought about a change in film historiography that ...
This essay examines select examples of British trade, fan and news press of the 1910s and 1920s in o...
Sarah Bernhardt is a paradigmatic case study for the joining of voice and silent film. This is becau...
The role of women in silent era cinema has become increasingly important in recent cinema scholarshi...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
Between 1925 and 1926, film exhibitor Francisco Serrador built four new movie-theaters in Rio de Jan...
This paper examines adaptations of Her First Elopement (1920) and Are Parents People? (1925), based ...
none3The Women Film Pioneers project began as a collaborative effort to advance research on the acco...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
Women in Ireland came into focus and onto the political stage during and as a result of nationalist ...
The article is concerned with Elsa Lanchester as an anti-star figure in British Cinema in the 1920s....
What are the gaps in current film histories? Who has been forgotten and why? How can we write histor...
none1noFor at least a decade, new research carried out by scholars involved in the Women Film Pionee...
Josephine Rector’s fleeting career in cinema is inseparable from the Essanay Film Manufacturing Comp...
Examines the archival survival of the amateur travelog films made by Eleanor and Claudia Lea Phelps ...
The rediscovery of the early cinema in the 1980s brought about a change in film historiography that ...
This essay examines select examples of British trade, fan and news press of the 1910s and 1920s in o...
Sarah Bernhardt is a paradigmatic case study for the joining of voice and silent film. This is becau...
The role of women in silent era cinema has become increasingly important in recent cinema scholarshi...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
Between 1925 and 1926, film exhibitor Francisco Serrador built four new movie-theaters in Rio de Jan...
This paper examines adaptations of Her First Elopement (1920) and Are Parents People? (1925), based ...
none3The Women Film Pioneers project began as a collaborative effort to advance research on the acco...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
Women in Ireland came into focus and onto the political stage during and as a result of nationalist ...
The article is concerned with Elsa Lanchester as an anti-star figure in British Cinema in the 1920s....
What are the gaps in current film histories? Who has been forgotten and why? How can we write histor...
none1noFor at least a decade, new research carried out by scholars involved in the Women Film Pionee...
Josephine Rector’s fleeting career in cinema is inseparable from the Essanay Film Manufacturing Comp...